The Theatre of the Grotesque in Flannery O’Connor’s Wise Blood
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Flannery O’Connor is an American author known for her distinctive and influential contributions to Southern Gothic literature. Especially, her exploration of the South’s complex history and her examination of moral and religious questions continue to be studied and admired by scholars and readers alike. This paper provides an analysis of the themes, characters, and style in Wise Blood, highlighting the unique vision and style of O’Connor. In particular, this essay will explore the intersecting themes of grotesque and comedy, as well as religious and moral undertones in Wise Blood. In addition, this essay will investigate how the grotesque and religion are interchangeably used while the notions of blindness and vision are inextricably tied together in Wise Blood.
Abstract
Flannery O’Connor is an American author known for her distinctive and influential contributions to Southern Gothic literature. Especially, her exploration of the South’s complex history and her examination of moral and religious questions continue to be studied and admired by scholars and readers alike. This paper provides an analysis of the themes, characters, and style in Wise Blood, highlighting the unique vision and style of O’Connor. In particular, this essay will explore the intersecting themes of grotesque and comedy, as well as religious and moral undertones in Wise Blood. In addition, this essay will investigate how the grotesque and religion are interchangeably used while the notions of blindness and vision are inextricably tied together in Wise Blood.
참고문헌 (14)
- Asals, Frederick, "The Road to Wise Blood", Renascence, 21(4), pp.181~194 (1969)
- Burns, Stuart L., "The Evolution of Wise Blood", Modern Fiction Studies, 16(2), pp.147~162 (1970)
- Byars, John, "Mimicry & Parady in Wise Blood", College Literature, 11, pp.276~279 (1984)
- Ellis, Juniper, "O’Connor and Her World : The Visual Art of Wise Blood", Studies in the Humanities, 21(2), pp.79~95 (1994)
- Feeley, Margaret Peller, "Flannery O’Connor’s Wise Blood : The Negative Way", Southern Quarterly, 17(2), pp.104~122 (1979)
- Lawson, Lewis A., "Flannery O’Connor and the Grotesque : Wise Blood", Renascence, 17(3), pp.137~156 (1965)
- Littlefield Jr. Daniel F., "Flannery O’Connor’s Wise Blood : Unparalleled Prosperity and Spiritual Chaos", Mississippi Quarterly, 23(2), pp.121~133 (1970)
- Maus, Derek, "Another Roadside Epiphany : Flannery O’Connor’s Wise Blood and Nikolai Gogol’s Dead Souls as Religious Satires", Southern Quaterly, 40(4), pp.53~67 (2002)
- McCullagh, James, "Aspects of Jansenism in Flannery O’Connor’s Wise Blood", Studies in the Humanities, 3(1), pp.12~16 (1972)
- McDermott, John V., "Dissociation of Words with the Word in Wise Blood", Renascence, 30(3), pp.163~166 (1978)[DOI]
- O’Connor, Flannery, "Wise Blood. Farrar, Straus and Giroux" (2007)
- Paige, Linda Rohrer, "White Trash, Low Class, and No Class at All : Perverse Portraits of Phallic Power in Flannery O’Connor’s Wise Blood", Papers on Language and Literature, 33(3), pp.325~333 (1997)
- Rath, Sura Prasad, "Comic Polarities in Flannery O’Connor’s Wise Blood", Studies in Short Fiction, 21(3), pp.251~258 (1984)
- Satterfield, Ben, "Wise Blood, Artistic Anemia, and the Hemorrhaging of O’Connor Criticism", Studies in American Fiction, 17(1), pp.33~50 (1989)