Memory and Imagined Truthin Alice Munro’s “The Progress of Love”
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Drawing upon Paul Ricoeur’s phenomenology of memory, this paper delves into Alice Munro’s exploration of remembering and storytelling in “The Progress of Love.” The narrative unfolds as Phemie, the protagonist, grapples with the legacy of heartbreak and hate inherited from her mother. Munro examines the complex interplay between memory, truth, and imagination as Phemie embarks on a journey of retelling her mother’s story with imaginative empathy. The paper elucidates how memory, not solely experienced but also appropriated through narration, becomes a site of contestation. Through her imaginative reconstruction of the past, Phemie endeavors to disrupt the chain of continuity, offering an alternative genealogy. In “The Progress of Love,” Munro subverts conventional notions of truth, blurring the boundaries between memory and imagination. Phemie evolves from a passive recipient of traumatic memories to an active agent of remembrance, navigating the intricate terrain of storytelling with agency. This analysis sheds light on Munro’s nuanced exploration of memory and imagined truth, offering fresh insights into the complex dynamics of narrative construction and identity formation in her work. (Incheon National University)
Abstract
Drawing upon Paul Ricoeur’s phenomenology of memory, this paper delves into Alice Munro’s exploration of remembering and storytelling in “The Progress of Love.” The narrative unfolds as Phemie, the protagonist, grapples with the legacy of heartbreak and hate inherited from her mother. Munro examines the complex interplay between memory, truth, and imagination as Phemie embarks on a journey of retelling her mother’s story with imaginative empathy. The paper elucidates how memory, not solely experienced but also appropriated through narration, becomes a site of contestation. Through her imaginative reconstruction of the past, Phemie endeavors to disrupt the chain of continuity, offering an alternative genealogy. In “The Progress of Love,” Munro subverts conventional notions of truth, blurring the boundaries between memory and imagination. Phemie evolves from a passive recipient of traumatic memories to an active agent of remembrance, navigating the intricate terrain of storytelling with agency. This analysis sheds light on Munro’s nuanced exploration of memory and imagined truth, offering fresh insights into the complex dynamics of narrative construction and identity formation in her work. (Incheon National University)
참고문헌 (15)
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