『흰 공작』에 나타난 환경생태론적 주제
Ecological Themes in The White Peacock
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Abstract
Ecocriticism is the study of the relationship between literature and the physical environment. Just as feminist criticism examines language and literature from a gender-conscious perspective, and Marxist criticism brings an awareness of modes of production and economic class to its reading of texts, ecocriticism takes an earth-centered approach to literary studies. Ecocriticism takes as its subject the interconnections between nature and culture, specifically the cultural artifacts of language and literature. As a critical stance, it has one foot in literature and the other on land; as a theoretical discourse, it negotiates between the human and the nonhuman. The conspicuous theme that runs through Lawrence’s work from his very first novel, The White Peacock, to the last line in his final book, Apocalypse, is nature. Lawrence sought to elaborate on possible ways to regain the wholeness with the earth that our modern industrial culture was losing. It all began in his beloved home countryside. The interaction of man and his setting becomes almost the governing feature of Lawrence’s first novel, The White Peacock. In this novel, most of the action of the novel centers in the woods and fields surrounding Nethermere, the lake toward which focus of the novel leads. The inseparability of character and fate is integral to the novel and the character of George is essentially Greek. Nature, in the role of Greek chorus, anticipates the fate of the protagonists: it grieves at every fatal error in judgment and rejoices when human choice reinforces an instinctive truth.
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