로렌스의 시에 나타난 새와 시적 상상력
Birds and the Poetic Imagination in the Poetry of D. H. Lawrence
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Among many different kinds of animals that Lawrence uses as his poetic subjects, birds are peculiar in that they represent Lawrence’s consistent themes: God, primitivism, vitality, sexuality, etc. This paper attempts to delineate the imagery of birds in Lawrence's poetry and to suggest that birds play a vital role in the scheme of the poet's imagination. This paper focuses on "Humming-bird," "Turkey-Cock," and the "Swan" series which, I believe, share the same thematic matters. "Humming-bird," which helps readers return to the origin, is similar to the poetry of 'deep image' in that it appears to show the effort of rebuilding the deep buried forgotten world in the collective unconsciousness. For Lawrence, the humming-bird, small and domesticated, functions as the lens of a telescope through which one can see the reality of the pre-historic times. Lawrence also reveals his interest in primitivism and vitality through the image of 'Uroboros,' a snake biting its own tail, a symbol of birth and rebirth. The imagery of the swan is much more diverse in Lawrence's "Swan" series poems. Lawrence's swans represent: the Holy Spirit, God, Zeus, vitality, phallic symbols, etc.
Abstract
Among many different kinds of animals that Lawrence uses as his poetic subjects, birds are peculiar in that they represent Lawrence’s consistent themes: God, primitivism, vitality, sexuality, etc. This paper attempts to delineate the imagery of birds in Lawrence's poetry and to suggest that birds play a vital role in the scheme of the poet's imagination. This paper focuses on "Humming-bird," "Turkey-Cock," and the "Swan" series which, I believe, share the same thematic matters. "Humming-bird," which helps readers return to the origin, is similar to the poetry of 'deep image' in that it appears to show the effort of rebuilding the deep buried forgotten world in the collective unconsciousness. For Lawrence, the humming-bird, small and domesticated, functions as the lens of a telescope through which one can see the reality of the pre-historic times. Lawrence also reveals his interest in primitivism and vitality through the image of 'Uroboros,' a snake biting its own tail, a symbol of birth and rebirth. The imagery of the swan is much more diverse in Lawrence's "Swan" series poems. Lawrence's swans represent: the Holy Spirit, God, Zeus, vitality, phallic symbols, etc.
참고문헌 (15)
- 로렌스, D. H., "바바리아의 용담꽃" (2000), 혜원출판사
- 이광운, "로렌스의 복음적 생물들: 우로보로스적 순환", D. H. 로렌스 연구, 14(2), pp.131~148
- Bly, Robert, "On English and American Poetry", The Fifties, 2, pp.45~47 (1959)
- Brandes, Randy Paul, "The Myth of the Fall in the Poetry of D. H. Lawrence and Ted Hughes", 박사, pp.1985
- Elliot, David Lindsey, "The Deep Image: Radical Subjectivity in the Poetry of Robert Bly, James Wright, Galway Kinnell, James Dicky, and W. B. Merwin", 박사, pp.1978
- Gilbert, Sandra M., "Acts of Attention: The Poems of D. H. Lawrence" (1972), Cornell UP
- Jung, C. G., "The Archetypes and the Collected Unconscious, Bollingen Series. XX" (1980), Princeton UP
- Lawrence, D. H., "The Complete Poems of D. H. Lawrence" (1978), Penguin
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- Lawrence, D. H., "Apocalypse" (1980), Penguin
- Lawrence, D. H., "Phoenix" (1978), Penguin
- Lawrence, D. H., "Phoenix II" (1968), Penguin
- Nin, Anais, "D. H. Lawrence: The Poet. D. H. Lawrence’s Poetry: Demon Liberated: A Collection of Primary and Secondary Material" (1990), Macmillan Press
- Roethke, Theodore, "Collected Poems" (1966), Doubleday
- Rothenberg, Jerome, "Why Deep Image?", Trobar, 3, pp.31~32 (1961)
