‘교차의 시학’으로 본 로렌스 문학의 이해
Understanding D. H. Lawrence’s Literary Works On the Basis of the Poetics of Chiasmatic Encounter
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This thesis applies the poetics of chiasmatic encounter to D.H. Lawrence’s literary works. The poetics of chiasmatic encounter can be used in various areas of studies as an academic research approach. Basically it is an encounter and an interaction between two different entities. Therefore it is characterized by dialectic movement and process which can cause a certain change and difference between the two opposites, namely subject and object. In Lawrence’s literature, the poetics of chiasmatic encounter plays an important role and makes a significant effect as a literary technique, or a poetic, dramatic device in terms of composing, arranging remarkable scenes or episodes, and creating major characters and their relationship. So it works a key aesthetic device in D. H. Lawrence’s literary creation. His idea of dualism is related to this poetics of chiasmatic encounter. In his works there are various encounters and interactions between contrastive, opposite characters or selves and furthermore between two different humans that are male and female and between cultures as well. His chiasmatic poetics brings conflict, fight, tension, a broad spectrum of literary effects from dynamic life force, mysterious harmony, sense of creative evolution, balance, peace, and security, etc. This can be a sort of intertwining, constructing/deconstructing, interacting dual beings. Thus a great interest can be derived from this chiasmatic encounter. The effects of contrastiveness by the poetics of chiasmatic encounter are very exciting in many scenes of Lawrence’s novels. Lawrence’s unique apocalyptic idea brings such a kind of a contrastive effect. In this case, the destruction of modern people’s corruption, immorality, and old selves, death-like life is an inevitable requirement for the recreation of new self, society, and civilization. The negative, old life should, and can be destroyed and recreated into a positive, new life by apocalyptic deconstruction, which is Lawrence’s important philosophical faith. This kind of a contrastive literary design for chiasmatic poetics is shown importantly in Women in Love, “St. Mawr,” “The Woman Who Rode Away.” In this manner Lawrence’s the poetics of chiasmatic encounter gives an impressive, interesting, dramatic literary embodiment to his fictions.
Abstract
This thesis applies the poetics of chiasmatic encounter to D.H. Lawrence’s literary works. The poetics of chiasmatic encounter can be used in various areas of studies as an academic research approach. Basically it is an encounter and an interaction between two different entities. Therefore it is characterized by dialectic movement and process which can cause a certain change and difference between the two opposites, namely subject and object. In Lawrence’s literature, the poetics of chiasmatic encounter plays an important role and makes a significant effect as a literary technique, or a poetic, dramatic device in terms of composing, arranging remarkable scenes or episodes, and creating major characters and their relationship. So it works a key aesthetic device in D. H. Lawrence’s literary creation. His idea of dualism is related to this poetics of chiasmatic encounter. In his works there are various encounters and interactions between contrastive, opposite characters or selves and furthermore between two different humans that are male and female and between cultures as well. His chiasmatic poetics brings conflict, fight, tension, a broad spectrum of literary effects from dynamic life force, mysterious harmony, sense of creative evolution, balance, peace, and security, etc. This can be a sort of intertwining, constructing/deconstructing, interacting dual beings. Thus a great interest can be derived from this chiasmatic encounter. The effects of contrastiveness by the poetics of chiasmatic encounter are very exciting in many scenes of Lawrence’s novels. Lawrence’s unique apocalyptic idea brings such a kind of a contrastive effect. In this case, the destruction of modern people’s corruption, immorality, and old selves, death-like life is an inevitable requirement for the recreation of new self, society, and civilization. The negative, old life should, and can be destroyed and recreated into a positive, new life by apocalyptic deconstruction, which is Lawrence’s important philosophical faith. This kind of a contrastive literary design for chiasmatic poetics is shown importantly in Women in Love, “St. Mawr,” “The Woman Who Rode Away.” In this manner Lawrence’s the poetics of chiasmatic encounter gives an impressive, interesting, dramatic literary embodiment to his fictions.
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