『연애하는 여인들』에 나타난 D. H. 로렌스의 수사학
Women in Love and D. H. Lawrence’s Rhetoric
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This paper explores D. H. Lawrence’s rhetorical characteristics in Women in Love. He diagnosed Western civilization with his great insight and gave us “a possible procedure” for re-health through his writing. That is to say, he made use of the destructive rhetoric in his writing as “a marvellously sensitive medium” and brought what the West desperately had needed. His radical way of writing is based on his deep thought on the relation of reality and representation. He was doubtful of the absolute power of linguistic system, tried to view the world objectively, and proceeded to the reality with his intuition and instincts. That is the way his writing can be a communicative place. More specifically, he was evolving an elaborate rhetoric of his own in Women in Love. Throughout my deliberations on the novel, we can notice that he insisted on the living present reality by steering away from fixed mechanical automatism and helped readers to pursue the vivid creative life, that is, “true-to-life representation” with dynamic communication. Lawrence espoused an intuitive experience, as opposed to an injection of the distorted facts. His characters were intended to avoid the permanent and absolute in the novels. That is why he preferred for his characters to get “visionary awareness” by making pictures. In addition, he expected that readers could accomplish the nature of reality in his writing through an intuition, rather than through a language dictated by ruling powers.
Abstract
This paper explores D. H. Lawrence’s rhetorical characteristics in Women in Love. He diagnosed Western civilization with his great insight and gave us “a possible procedure” for re-health through his writing. That is to say, he made use of the destructive rhetoric in his writing as “a marvellously sensitive medium” and brought what the West desperately had needed. His radical way of writing is based on his deep thought on the relation of reality and representation. He was doubtful of the absolute power of linguistic system, tried to view the world objectively, and proceeded to the reality with his intuition and instincts. That is the way his writing can be a communicative place. More specifically, he was evolving an elaborate rhetoric of his own in Women in Love. Throughout my deliberations on the novel, we can notice that he insisted on the living present reality by steering away from fixed mechanical automatism and helped readers to pursue the vivid creative life, that is, “true-to-life representation” with dynamic communication. Lawrence espoused an intuitive experience, as opposed to an injection of the distorted facts. His characters were intended to avoid the permanent and absolute in the novels. That is why he preferred for his characters to get “visionary awareness” by making pictures. In addition, he expected that readers could accomplish the nature of reality in his writing through an intuition, rather than through a language dictated by ruling powers.
참고문헌 (26)
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