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나집 마흐푸즈 소설과 영화의 관계

Relation between Najiib Mahfuuz's Novels and Cinema

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The relation between literature and cinema is very close. Cinema borrowed very early on from other artistic forms, mainly in literature not only in the West but also in the East. Realist literature played a decisive role in establishing realist cinema in Egypt. As Egyptian realism started in early 1950s, realist cinema during the 1950s and 1960s in Egypt created a boom in literary adaptations. Some outstanding works by Najiib Mahfuuz were transferred to the screen and the realist wave of the 1950s owes a great deal to the influence of the Egyptian novelist and Novel prize winner Najiib Mahfuuz. During the 1960s N. Mahfuuz held important position in the world of cinema and contributed to the scripts of his novels and others. It is worth while to mention that the distance between his novels and their film making partly exists. The changes in writer's position and thoughts about social-political circumstances and main hero or heroine's character is ocurred mainly by the director or scenario writer. This paper mainly deals with the two points. Firstly, what is the difference between his novels and the film in contents? Secondly, what is the reason of the distance or changes shown in the film?22 ≪아랍어와 아랍문학≫ 제15집 2호 (2011. 10)In order to clarify the above-mentioned points, I selected five novels, among N. Mahfuuz's works, produced during the 1960s(Zuqaaq al-Midaq, al-Liss wa al-Kilaab, al-Samman wa al-Khariif) and 1970s(Tharthara fauqa al-Niil,al-Karnak).

Abstract

The relation between literature and cinema is very close. Cinema borrowed very early on from other artistic forms, mainly in literature not only in the West but also in the East. Realist literature played a decisive role in establishing realist cinema in Egypt. As Egyptian realism started in early 1950s, realist cinema during the 1950s and 1960s in Egypt created a boom in literary adaptations. Some outstanding works by Najiib Mahfuuz were transferred to the screen and the realist wave of the 1950s owes a great deal to the influence of the Egyptian novelist and Novel prize winner Najiib Mahfuuz. During the 1960s N. Mahfuuz held important position in the world of cinema and contributed to the scripts of his novels and others. It is worth while to mention that the distance between his novels and their film making partly exists. The changes in writer's position and thoughts about social-political circumstances and main hero or heroine's character is ocurred mainly by the director or scenario writer. This paper mainly deals with the two points. Firstly, what is the difference between his novels and the film in contents? Secondly, what is the reason of the distance or changes shown in the film?22 ≪아랍어와 아랍문학≫ 제15집 2호 (2011. 10)In order to clarify the above-mentioned points, I selected five novels, among N. Mahfuuz's works, produced during the 1960s(Zuqaaq al-Midaq, al-Liss wa al-Kilaab, al-Samman wa al-Khariif) and 1970s(Tharthara fauqa al-Niil,al-Karnak).

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