D. H. 로렌스 작품 속의 ‘춤’과 율동적 담론: 『무지개』 애나와 『연애하는 여인들』의 구드런을 중심으로
Dance and Rhythmic Discourse in D. H. Lawrence
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D. H. Lawrence asserts in his essay, “Art and Morality,” that art must reveal the momentary things in their own living relatedness to the circumambient universe because all things move and change in the living flux. He calls the representation of art a “delicate, forever trembling and changing balance,” which precedes and accompanies a true relatedness. But as much as the “balance” is not stable or fixed, the novel needs a new method of description to grasp the oscillating moment. As one of the rhetorical methods, Lawrence uses a ‘repetitive transformation of gaze,’ or a ‘pictorial writing.’ In this respect, as Mark Kinkead-Weekes said in D. H. Lawrence and the Dance, ‘dance’ in Lawrence’s novels could be an effective means of seeing through characters and their own relatedness in fluidity of movement. Such dance rhetoric could fit the true art representation method, just right for Lawrence’s suggestion, to reveal the deeper living relatedness.
Abstract
D. H. Lawrence asserts in his essay, “Art and Morality,” that art must reveal the momentary things in their own living relatedness to the circumambient universe because all things move and change in the living flux. He calls the representation of art a “delicate, forever trembling and changing balance,” which precedes and accompanies a true relatedness. But as much as the “balance” is not stable or fixed, the novel needs a new method of description to grasp the oscillating moment. As one of the rhetorical methods, Lawrence uses a ‘repetitive transformation of gaze,’ or a ‘pictorial writing.’ In this respect, as Mark Kinkead-Weekes said in D. H. Lawrence and the Dance, ‘dance’ in Lawrence’s novels could be an effective means of seeing through characters and their own relatedness in fluidity of movement. Such dance rhetoric could fit the true art representation method, just right for Lawrence’s suggestion, to reveal the deeper living relatedness.
참고문헌 (16)
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