「말타고 떠난 여자」: 음양합일의 황홀경
“The Woman Who Rode Away”: The Ecstasy of Oneness in Which Dark(Yin) and Light(Yang) Encounter
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The most striking feature of Lawrence’s literary world is its dualism, and his dualistic world is composed of two polarities of dark and light which symbolizes spirit and flesh respectively. These two polarized worlds are always prone to seek balance, or conciliation in the state of conflicts and fights. These two worlds come to fulfil balance by means of a spark of Holy Ghost, namely sexual union of man and woman. There are many common factors between Lawrence’s dualism and the Oriental one of dark and light. The Oriental dualism in the Book of Changes and Tao Te Ching is composed of the two cosmic elements, dark and light. These two elements seek integration by way of confrontation and change. Such an integration and harmony of the universe is governed by Taeguk or Tao that is the source of generation of the cosmos. There is a parallel between the two principles of the East and West in that the two polarized worlds seek balance by means of Holy Ghost in Lawrence, and Taeguk or Tao in the East which have similar properties to govern them. “The Woman Who Rode Away” and “Sun” are short stories which Lawrence wrote during his stay in Taos and after his return to Europe. They share one thing as a common motif: creative life power through escape from living death. They are utilizing the sun worship as a common subject, particularly in “The Woman Who Rode Away.” The woman hero serves as holy ghost in this story in order to meet the demands of the Aztec Indians to achieve the ecstasy of oneness in which dark(yin) and light(yang) meet. She is dedicated to the sun as the sacrifice so that they may achieve their fervent hopes to restore the sun to them. In “Sun” the sun itself serves as holy ghost for the heroine to reach her hope to achieve the sexual ecstasy.
Abstract
The most striking feature of Lawrence’s literary world is its dualism, and his dualistic world is composed of two polarities of dark and light which symbolizes spirit and flesh respectively. These two polarized worlds are always prone to seek balance, or conciliation in the state of conflicts and fights. These two worlds come to fulfil balance by means of a spark of Holy Ghost, namely sexual union of man and woman. There are many common factors between Lawrence’s dualism and the Oriental one of dark and light. The Oriental dualism in the Book of Changes and Tao Te Ching is composed of the two cosmic elements, dark and light. These two elements seek integration by way of confrontation and change. Such an integration and harmony of the universe is governed by Taeguk or Tao that is the source of generation of the cosmos. There is a parallel between the two principles of the East and West in that the two polarized worlds seek balance by means of Holy Ghost in Lawrence, and Taeguk or Tao in the East which have similar properties to govern them. “The Woman Who Rode Away” and “Sun” are short stories which Lawrence wrote during his stay in Taos and after his return to Europe. They share one thing as a common motif: creative life power through escape from living death. They are utilizing the sun worship as a common subject, particularly in “The Woman Who Rode Away.” The woman hero serves as holy ghost in this story in order to meet the demands of the Aztec Indians to achieve the ecstasy of oneness in which dark(yin) and light(yang) meet. She is dedicated to the sun as the sacrifice so that they may achieve their fervent hopes to restore the sun to them. In “Sun” the sun itself serves as holy ghost for the heroine to reach her hope to achieve the sexual ecstasy.
참고문헌 (68)
- 강용기, "음양 이론을 통한 성차별주의의 극복과 그 한계: D. H. 로렌스의 날개 돋친 뱀", 동서비교문학저널, (13), pp.11~34 (2005), 한국동서비교문학학회
- 구라하라 고레히도, "중국고대철학의 세계" (1996), 한울
- 김교빈, "함께 읽는 동양철학" (2009), 지식의 날개
- 김미영, "‘태극논쟁’에 나타난 주자학과 상산학의 경계", 동아시아 문화와 예술, 통권 : 1, pp.7~25 (2004)
- 김상철, "노자 제대로 읽기" (2001), 씨앗을 뿌리는 사람
- 김석진, "주역으로 보는 도덕경" (2005), 대학서림
- 김정매, "로렌스와 여인들" (2006), 태학사
- 김재봉, "서구 문명의 전복 : D. H. Lawrence의 “The Woman Who Rode Away”", D.H. 로렌스 연구, 11(1), pp.207~228 (2003), 한국로렌스학회
- 김항배, "김항배 교수의 노자철학의 이해" (2006), 예문서원
- 김현창, "세계문학 속의 동양사상" (2000), 서울대학교 출판부
- 남만성, "주역" (1977), 성균서관
- 문젤로, 데이비드, "동양과 서양의 위대한 만남" (2009), 휴머니스트
- 노태준, "주역" (1978), 홍신문화사
- 대빈호, "노자철학연구" (1999), 청계
- 박상환, "라이프니츠와 동양사상: 비교철학을 통한 공존" (2005), 미크로
- 블름, 해럴드, "세계문학의 천재들" (2008), 들녘
- 슈츠스키, I. K., "주역연구" (1989), 한계례
- 안은수, "주희의 자연관 형성의 두 원천" (2009), 문사철
- 안필규, "D. H. 로렌스가 후기 단편소설에서 추구하는 새로운 세계 - 『말을 타고 떠나간 여인』과 『태양』을 중심으로", D.H. 로렌스 연구, 12(3), pp.1~22 (2004), 한국로렌스학회
- 오강남, "도덕경" (1977), 현암사
- 윤영필, "로렌스와 '살아있는' 태양", D.H. 로렌스 연구, 12(3), pp.43~68 (2004), 한국로렌스학회
- 이상익, "역사철학과 역학사상" (1996), 성균관대학교출판부
- 이성환, "주역의 과학과 도" (2004), 정신세계사
- 이 영 철, "로렌스의 상호 소통적 미학 노장사상의 생성원리를 통한 접근", 동서비교문학저널, (14), pp.125~146 (2006), 한국동서비교문학학회
- 이죽내, "융심리학과 동양사상" (2005), 하나의학사
- 임윤수, "동과 서의 만남: D. H. 로렌스와 주역 및 노자 —어둠(음)과 빛(양)이 만나는 합일의 황홀경—", 동서비교문학저널, (21), pp.127~156 (2009), 한국동서비교문학학회
- 조민환, "노장철학으로 동아시아문화를 읽는다" (2002), 한길사
- 조혁해, "주역과 철학" (2004), 한빛
- 조현숙, "노자도덕경" (1991), 서광사
- 주백곤, "주역산책" (2000), 예문서원
- 진고응, "주역: 유가의 사상인가 도가의 사상인가" (1996), 예문서원
- 최완식, "주역" (1989), 혜원출판사
- 최진석, "도덕" (2002), 소나무
- 카나야 오사무, "주역의 세계" (1999), 한울
- 카프라, 프리초프, "현대물리학과 동양사상" (2006), 범양사 출판부
- 타이텔, 존, "열정적인 너무나 열정적인" (2009), 아침이슬
- 표정훈, "하룻밤에 읽는 동양사상" (2002), 중앙 M & B
- 황정아, "로렌스의 아메리카론과 “The Woman Who Rode Away”", D.H. 로렌스 연구, 11(1), pp.269~285 (2003), 한국로렌스학회
- 홍승표, "동양 사상과 탈현대" (2005), 예문서원
- Becket, Fiona, "The Complete Critical Guide of D. H. Lawrence" (2002), Rouledge
- Cleary, Thomas, "Trans. 1 Ching: The Book of Change" (2006), Shambhala
- Creel, Herriee, "What is Taoism" (1970), U of Chicago P
- Daleski, H. M., "The Forked Flame: A Study of D. H. Lawrence" (1965), Faber and Faber
- Draper, R. P., "D. H. Lawrence" (1964), Twayne
- Engel, Monroe, "'The Continuity of Lawrence’s Short Novels.' D. H. Lawrence" (1963), Prentice-Hall, Inc.
- Gia-fe, Feng, (1972), Random
- Harris, J. H., "Short Fiction of D. H. Lawrence" (1984), Rutgers UP
- Hough, G., "The Dark Sun: A Study of D. H. Lawrence" (1956), Duck Worth
- Jai-kyung, Koh, "D. H. Lawrence and the Great War" (2007), Peter Lang
- Johnson, Willard, "ⅠChing: An Introduction to the Book of Changes" (1969), Shambala
- Jungmai, Kim, "Themes and Techniques in the Novellas of D. H. Lawrence" (1986), Hanshin
- Kinkead-Weekes, Mark, "'Decolonising imagination: D. H. Lawrence in the 1920s.' D. H. Lawrence" (2001), Cambridge UP
- Lombardo, Stanley, (2007), Shambala
- Lawrence, D. H., "Fantasia of the Unconscious" (1974), The Viking
- Lawrence, D. H., "Lady Chatterley’s Lover" (1970), Penguin
- Lawrence, D. H., "Phoenix" (1970), Penguin
- Lawrence, D. H., "Phoenix Ⅱ" (1970), Penguin
- Lawrence, D. H., "Selected Essays" (1970), Penguin
- Lawrence, D. H., "Selected Short Stories" (2000), Penguin
- Lawrence, D. H., "Sons and Lovers" (1970), Harmondsworth
- Lawrence, D. H., "The Rainbow" (1970), Harmondsworth
- Lawrence, D. H., "Women in Love" (1970), Harmondsworth
- Legge, James, (1963), Dover
- March, Nicholas, "D. H. Lawrence: The Novels" (2000), St. Martin’s
- Mitchell, Stephen, "A New English Version" (2006), Modern Classics
- Palmer, Martin, "The Elements of Taoism" (1996), Element
- Sterling, Marysol Gonzalez, "Ⅰ-Ching and Transpersonal Psychology" (1995), Samuel Weiser
- Wu, John C. H., (2006), Shambala