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D. H. 로렌스의 「목사의 딸들」과 『처녀와 집시』에 나타난 두 자매 모티프

The Two-sisters Motif in D. H. Lawrence’s “Daughters of the Vicar” and The Virgin and the Gipsy

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“Daughters of the Vicar” and The Virgin and the Gipsy are D. H. Lawrence’s famous short story and short novel. Even though they are different genre works and have different situations, both have lots of peculiar characteristics. One of the similar characteristics is that both books are based on the two-sisters motif. The two-sisters motif is a motif that two sisters of different types are main characters of the book. The aim of this paper is to investigate the characteristics of the two-sisters motif in “Daughters of the Vicar” and The Virgin and the Gipsy. The characteristics of the two sisters can be changed according to the birth order and parents-and-child relationship. Thus, the two-sisters motif will be discussed on the birth order and parent-and-child relationship. The two-sisters motif of “Daughters of the Vicar” is typically expressed, compared with The Virgin and the Gipsy. Lawrence does his best to compare Mary’s wrong marriage to Massy with Louisa’s healthy one to Alfred in “Daughters of the Vicar.” And Lawrence praises Louisa highly, since Louisa wanted to marry Alfred, though her social status is higher than Alfred’s. The reason why Louisa can marry her lower-class man, Alfred, is that she is not the first birth-order woman in her family. Generally, psychologists assert that the subordinated man or woman is rebellious and cooperative, whereas the first born child tries to replace the parents’ position. In The Virgin and the Gipsy, Lawrence uses the two-sisters motif, too. However, the two-sisters motif in this work is imperfect, incomplete or perfunctory, since the elder sister, Lucille, does not have an important role, compared with the later sister, Yvette. To tell the truth, the role of Lucille is as a kind of supporter or sponsor of her younger sister who takes the part of Lawrence’s typical prototype needed male sexuality and vitality. In this work, too, Yvette is a second daughter who can defy her father’s wrong thinking. The important thing is that Yvette will be going to compromise with her father at the last part of the short novel. In short, Lawrence tries to express his belief that human beings should be vitalized by true love through the two sisters motif in his “Daughters of the Vicar” and The Virgin and the Gipsy. In addition, this fullness of human beings are attained by the second daughter’s brave behaviour against wrong morality. Lawrence tries to describe the second daughter’s characteristics differently from the first born sister’s ones.

Abstract

“Daughters of the Vicar” and The Virgin and the Gipsy are D. H. Lawrence’s famous short story and short novel. Even though they are different genre works and have different situations, both have lots of peculiar characteristics. One of the similar characteristics is that both books are based on the two-sisters motif. The two-sisters motif is a motif that two sisters of different types are main characters of the book. The aim of this paper is to investigate the characteristics of the two-sisters motif in “Daughters of the Vicar” and The Virgin and the Gipsy. The characteristics of the two sisters can be changed according to the birth order and parents-and-child relationship. Thus, the two-sisters motif will be discussed on the birth order and parent-and-child relationship. The two-sisters motif of “Daughters of the Vicar” is typically expressed, compared with The Virgin and the Gipsy. Lawrence does his best to compare Mary’s wrong marriage to Massy with Louisa’s healthy one to Alfred in “Daughters of the Vicar.” And Lawrence praises Louisa highly, since Louisa wanted to marry Alfred, though her social status is higher than Alfred’s. The reason why Louisa can marry her lower-class man, Alfred, is that she is not the first birth-order woman in her family. Generally, psychologists assert that the subordinated man or woman is rebellious and cooperative, whereas the first born child tries to replace the parents’ position. In The Virgin and the Gipsy, Lawrence uses the two-sisters motif, too. However, the two-sisters motif in this work is imperfect, incomplete or perfunctory, since the elder sister, Lucille, does not have an important role, compared with the later sister, Yvette. To tell the truth, the role of Lucille is as a kind of supporter or sponsor of her younger sister who takes the part of Lawrence’s typical prototype needed male sexuality and vitality. In this work, too, Yvette is a second daughter who can defy her father’s wrong thinking. The important thing is that Yvette will be going to compromise with her father at the last part of the short novel. In short, Lawrence tries to express his belief that human beings should be vitalized by true love through the two sisters motif in his “Daughters of the Vicar” and The Virgin and the Gipsy. In addition, this fullness of human beings are attained by the second daughter’s brave behaviour against wrong morality. Lawrence tries to describe the second daughter’s characteristics differently from the first born sister’s ones.

참고문헌 (27)

  1. 김명혁, "Yvette의 생명력 추구−The Virgin and the Gipsy를 중심으로", D. H. 로렌스 연구, (4), pp.47~68 (1996)
  2. 김성호, "군사적 규율 및 지배적 남성성과 남성 정체성의 위기: D. H. 로렌스의 “The Prussian Officer,” “Daughters of the Vicar,” Lady Chatterley’s Lover에 나타난 남성상", D.H. 로렌스 연구, 11(2), pp.9~226 (2003), 한국로렌스학회
  3. 김성호, "리얼리즘 소설로서의 『처녀와 집시』", D.H. 로렌스 연구, 14(2), pp.49~75 (2006), 한국로렌스학회
  4. 안필규, "D. H. Lawrence 단편소설의 유형 연구", 박사, pp.1993
  5. 양영수, "로렌스의 「목사의 딸들」에 나타난 예술가로서의 육체노동자", D.H. 로렌스 연구, 13(1), pp.99~117 (2005), 한국로렌스학회
  6. 윤영필, "로렌스의 『처녀와 집시』(The Virgin and the Gipsy)에 나타난 욕망과 형식", D.H. 로렌스 연구, 16(2), pp.75~98 (2008), 한국로렌스학회
  7. 이상배, "D. H. Lawrence의 계급의식: “Daughters of the Vicar”를 중심으로", D. H. 로렌스 연구, 8(2), pp.27~57 (2000)
  8. 홍승현, "로렌스의 ?태양?과 『처녀와 집시』에 나타난 욕망의 환유", D.H. 로렌스 연구, 15(1), pp.147~167 (2007), 한국로렌스학회
  9. Black, Michael, "D. H. Lawrence: The Early Fiction" (1986), Macmillan
  10. Champion, Neil, "D. H. Lawrence" (1989), Wayland
  11. Cushman, Keith, "D. H. Lawrence at Work: The Emergence of the “Prussian Officer” Stories" (1978), University Press of Virginia
  12. Draper, Ronald, "D. H. Lawrence" (1976), Macmillan
  13. Guttenberg, Barnett, "Realism and Romance in Lawrence's The Virgin and the Gipsy, in Critical Essays on D. H. Lawrence" (1988), G. K. Hall
  14. Harris, Janice Hubbard, "The Short Fiction of D. H. Lawrence" (1984), Rutgers University Press
  15. Isaacson, Cliff, "The Birth Order Effect" (2002), Adams Media
  16. Kearney, Martin F, "Major Short Stories of D. H. Lawrence: A Handbook" (1998), Garland
  17. Lawrence, D. H, "The Daughters of the Vicar, in The Collected Short Stories of D. H. Lawrence" (1973), Heinemann
  18. Lawrence, D, "St. Mawr and The Virgin and the Gipsy" (1977), Penguin
  19. Lawrence, D, "Sons and" (1979), Penguin
  20. Lawrence, D, "Lady Chatterley's Lover" (1979), Bantam Books
  21. Leavis, F. R, "D. H. Lawrence: Novelist" (1986), The University of Chicago Press
  22. Leman, Kevin, "The Birth Order Book" (2009), Revell
  23. Humma, John B, "Metaphor and Meaning in D. H. Lawrence’s Later Novels" (1994), University of Missouri Press
  24. Savà, Anna Marisa, "The Unpeaceful, Unruly Man: A Critical Survey of D. H. Lawrence’s Short Stories" (2003), Upfront Publishing
  25. Sulloway, Frank, "Born to Rebel: Birth Order, Family Dynamics, and Creative Lives" (1996), Pantheon Books
  26. Thornton, Weldon, "D. H. Lawrence: A Study of the Short Fiction" (1993), Twayne
  27. Widmer, Kingsley, "Defiant Desire: Some Dialectical Legacies of D. H. Lawrence" (1995), Southern Illinois University Press

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