高麗靑磁 龍 裝飾의 樣式的 系譜와 編年
A Study on Genealogy and Chronicle for Dragon Designs of Celadon in Goryo Dynasty
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Dragon is mythological creature that represent the highest authority and value in many different ages. The shape and design of the dragon have formalized gradually after their first appearance in the Neolithic age in China. In Korea, Dragon designs are introduced early in the Three Kingdoms Period from Northern China, and the shape began to appear regularly in Goryo Dynasty. We want investigates the process of the introduction of dragon designs in Goryo celadon. Dragon symbolize’s the king and the king's dominion in Goryo. The various forms of dragon in Goryo celadon are influenced by many kinds of Chinese porcelain culture. For instance, three colour glaze of Liao, Ru-yao of Bei Song period, and Jingdezhen-yao of Yuan affects on Goryo celadon, and Goryo receives the elements of art carving technology, animal shape, and underglaze blue decorated dragon shapes. This study assumes that there are three major stages of adoption of Chinese porcelain in Goryo Dynasty. First, it is clearly shown that three colour glaze of Liao and Ru-Yao of Song effect on Goryo celadon in the first half of the twelfth century. Second, between the latter half of the twelfth century and the latter half of the thirteenth century, Bei Song style dragon shaped celadon was made. In the meantime more creative Goryo style turtle and dragon shaped celadon was produced. Lastly, inlaid celadon which was influenced by underglaze blue porcelain of Jingdezhen-yao was produced in the fourteenth century, so that the pictorial expression of dragon was able to embody on the celadon. Through this study the representations of the dragon design of Goryo celadon are considered to be related and influenced by Northern Chinese porcelain.
Abstract
Dragon is mythological creature that represent the highest authority and value in many different ages. The shape and design of the dragon have formalized gradually after their first appearance in the Neolithic age in China. In Korea, Dragon designs are introduced early in the Three Kingdoms Period from Northern China, and the shape began to appear regularly in Goryo Dynasty. We want investigates the process of the introduction of dragon designs in Goryo celadon. Dragon symbolize’s the king and the king's dominion in Goryo. The various forms of dragon in Goryo celadon are influenced by many kinds of Chinese porcelain culture. For instance, three colour glaze of Liao, Ru-yao of Bei Song period, and Jingdezhen-yao of Yuan affects on Goryo celadon, and Goryo receives the elements of art carving technology, animal shape, and underglaze blue decorated dragon shapes. This study assumes that there are three major stages of adoption of Chinese porcelain in Goryo Dynasty. First, it is clearly shown that three colour glaze of Liao and Ru-Yao of Song effect on Goryo celadon in the first half of the twelfth century. Second, between the latter half of the twelfth century and the latter half of the thirteenth century, Bei Song style dragon shaped celadon was made. In the meantime more creative Goryo style turtle and dragon shaped celadon was produced. Lastly, inlaid celadon which was influenced by underglaze blue porcelain of Jingdezhen-yao was produced in the fourteenth century, so that the pictorial expression of dragon was able to embody on the celadon. Through this study the representations of the dragon design of Goryo celadon are considered to be related and influenced by Northern Chinese porcelain.
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