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<薯童謠>의 형성과정

The Formative Process of <Seodong-yo>

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주제분류한국어와문학

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This paper focuses and develops its discussion on the formative process of <Seodong-yo>, one of the Hyang-ga(鄕歌, folk songs, mainly songs of Shilla dynasty). The record concerning this song is narrative literature. It is a story about Seo-dong who dug up and sold yams as a means of living, and how he came up with a plan to marry the princess and eventually raised his social status. In the story, <Seodong-yo> functions as a turning point. The following is a conclusion regarding the formative process of <Seodong-yo> after examination of the record concerning this song. Based on the records of Samguk-Yusa(三國遺事, Remnants of the Three Kingdoms), <Seodong-yo> is presumed to be the earliest song created amongst the existing Hyang-ga. <Seodong-yo> is a song which altered the 'who' and 'what' from a pre-existing nursery rhyme. Nursery rhymes and folk songs can constantly be modified depending on the situation, and this process occurs even to the present. It is quite possible to presume that the alteration of this song took place around the period of Mu Wang(武王, king Mu) of Baek-Je dynasty as mentioned in the records. This can be sought out from the background when the alteration took place, a violently tensed period between two dynasties, Silla and Baek-je. As it seems to be Seo-dong who changed the lyrics of this song, it is possible to say that the formation of the present <Seodong-yo> is the period of Mu Wang of Baek-je dynasty. 'Ga'(歌) is a song which has a melody and is accompanied by musical instruments, and 'Yo'(謠) is a song that is simply sung. It is rather impossible to confirm the writer of a ‘Yo'(謠) as they are usually the work of many people. Altering the lyrics is quite common. So, it can be presumed that such types of nursery songs were originated a remarkably long time ago. In addition, what Il-yeon, the editor of Samguk-yusa, wanted to impart in the ‘Mu Wang’ section was not about the forming of <Seodong-yo> but the details about the establishment of a temple known as Mireuksa. While he was recording the establishment of Mireuksa and stories related to Mu Wang, he added <Seodong-yo>, a song that was spread by word of mouth, as it had relevance with Mu Wang.

Abstract

This paper focuses and develops its discussion on the formative process of <Seodong-yo>, one of the Hyang-ga(鄕歌, folk songs, mainly songs of Shilla dynasty). The record concerning this song is narrative literature. It is a story about Seo-dong who dug up and sold yams as a means of living, and how he came up with a plan to marry the princess and eventually raised his social status. In the story, <Seodong-yo> functions as a turning point. The following is a conclusion regarding the formative process of <Seodong-yo> after examination of the record concerning this song. Based on the records of Samguk-Yusa(三國遺事, Remnants of the Three Kingdoms), <Seodong-yo> is presumed to be the earliest song created amongst the existing Hyang-ga. <Seodong-yo> is a song which altered the 'who' and 'what' from a pre-existing nursery rhyme. Nursery rhymes and folk songs can constantly be modified depending on the situation, and this process occurs even to the present. It is quite possible to presume that the alteration of this song took place around the period of Mu Wang(武王, king Mu) of Baek-Je dynasty as mentioned in the records. This can be sought out from the background when the alteration took place, a violently tensed period between two dynasties, Silla and Baek-je. As it seems to be Seo-dong who changed the lyrics of this song, it is possible to say that the formation of the present <Seodong-yo> is the period of Mu Wang of Baek-je dynasty. 'Ga'(歌) is a song which has a melody and is accompanied by musical instruments, and 'Yo'(謠) is a song that is simply sung. It is rather impossible to confirm the writer of a ‘Yo'(謠) as they are usually the work of many people. Altering the lyrics is quite common. So, it can be presumed that such types of nursery songs were originated a remarkably long time ago. In addition, what Il-yeon, the editor of Samguk-yusa, wanted to impart in the ‘Mu Wang’ section was not about the forming of <Seodong-yo> but the details about the establishment of a temple known as Mireuksa. While he was recording the establishment of Mireuksa and stories related to Mu Wang, he added <Seodong-yo>, a song that was spread by word of mouth, as it had relevance with Mu Wang.

참고문헌 (13)

  1. "三國遺事", ~
  2. "三國史記", ~
  3. 金成基, "無等山圈 詩歌文學의 形成에 대한 硏究", 전통문화연구, 6 (1999)
  4. 김종우, "서동요 연구 In: 삼국유사의 문예적 연구" (1988), 새문사
  5. 김종진, "무왕설화의 형성과 <서동요>의 비평적 해석", 한국문학연구, 27 (2004), 동국대학교한국문학연구소
  6. 朴魯埻, "新羅歌謠의 硏究" (1982), 悅話堂
  7. 史在東, "薯童說話硏究 In: 鄕歌麗謠硏究" (1985), 二友社
  8. 서철원, "<薯童謠> 傳承의 형성과 사상적 배경", 고시가연구, (17), pp.205~226 (2006), 한국고시가문학회
  9. 신영명, "<서동요>의 역사적 성격", 우리문학연구, 21(21), pp.86~107 (2007), 우리문학회
  10. 張成鎭, "薯童謠의 형성 과정", 韓國傳統文化硏究, 2 (1986), 효성여대 한국전통문화연구소
  11. 정운채, "<서동요>의 형성과 그 예언적인 힘의 유래", 인문과학논총, 28 (1996), 건국대 인문과학연구소
  12. 조흥욱, "<서동요> 작자 재론", 語文學論叢, 24 (2005), 국민대 어문학연구소
  13. 황패강, "향가문학의 이론과 해석" (2001), 일지사

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