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Reanimating the Trojan Past in Troilus and Cressida

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William Shakespeare’s notorious disillusionment towards the legendary past in Troilus and Cressida is firmly rooted in the nature of dramatic retelling of the past itself and the nostalgia therein. The mythic characters in the play exist as deliberately satirical caricatures, bespeaking Shakespeare’s doubts about Britain’s Trojan past as a source of prestigious collective identity. Despite Troy’s significance as the legendary point of origin for European nations, the notion of homogeneous historiography has become impossible to maintain due to the countless retellings and appropriations of Trojan narratives. As a result, Troy can only exist as an amorphous specter of the past. The ghostly existence of the legendary figures is explored by Shakespeare through merciless critique of courtly love and chivalric valor supposedly represented by these characters. By dismantling and exposing the fragmented history of Troy, Shakespeare shows the impossibility of an idealized past, or successfully bringing such a thing back to life.

Abstract

William Shakespeare’s notorious disillusionment towards the legendary past in Troilus and Cressida is firmly rooted in the nature of dramatic retelling of the past itself and the nostalgia therein. The mythic characters in the play exist as deliberately satirical caricatures, bespeaking Shakespeare’s doubts about Britain’s Trojan past as a source of prestigious collective identity. Despite Troy’s significance as the legendary point of origin for European nations, the notion of homogeneous historiography has become impossible to maintain due to the countless retellings and appropriations of Trojan narratives. As a result, Troy can only exist as an amorphous specter of the past. The ghostly existence of the legendary figures is explored by Shakespeare through merciless critique of courtly love and chivalric valor supposedly represented by these characters. By dismantling and exposing the fragmented history of Troy, Shakespeare shows the impossibility of an idealized past, or successfully bringing such a thing back to life.

참고문헌 (11)

  1. Bayer, Mark, "The Routledge Research Companion to Shakespeare and Classical Literature", pp.227~235 (2017), Routledge
  2. Charnes, Linda, "‘So Unsecret to Ourselves’ : Notorious Identity and the Material Subject in Shakespeare’s Troilus and Cressida", Shakespeare Quarterly, 40(4), pp.413~440 (1989)
  3. Cole, Douglas, "Myth and Anti-Myth : The Case of Troilus and Cressida", Shakespeare Quarterly, 31(1), pp.76~84 (1980)
  4. Cook, Carol, "Unbodied Figures of Desire", Theatre Journal, 38(1), pp.34~52 (1986)
  5. Heavey, Katherine, "‘Properer Men’ : Myth, Manhood and the Trojan War in Greene, Shakespeare and Heywood", Journal of the Northern Renaissance, 7, pp.2~18 (2015)
  6. James, Heather, "Shakespeare’s Troy : Drama, Politics and the Translation of Empire" (1997), Cambridge UP
  7. Mallin, Eric S, "Emulous Factions and the Collapse of Chivalry : Troilus and Cressida", Representations, 29, pp.145~179 (1990)
  8. Quint, David, "Epic and Empire : Politics and Generic Form from Virgil to Milton" (1993), Princeton UP
  9. Shakespeare, William, "Troilus and Cressida" (2008), Oxford UP
  10. Spear, Gary, "Shakespeare’s ‘Manly’ Parts : Masculinity and Effeminacy in Troilus and Cressida", Shakespeare Quarterly, 44(4), pp.409~422 (1993)
  11. Teramura, Misha, "Lost Plays in Shakespeare’s England", pp.127~147 (2014), Palgrave Macmillan

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