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朗山 宋持養과 『衆香漫筆』에 관한 一考

One Idea of Nangsan Songjiyang And His Work Junghyangmanpil

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주제분류한국어와문학

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This is to check up the life and viewpoint on literature of a man, Songjiyang, one of the, by looking into the features and details of his most famous work, Junghyangmanpil. As a young man, he was more familiar with two of Sangsimgye, Hongseokmo and Hongkyeongmo, the sons of Nongsan Hong's family in Soron party, as well as developed the study under the influence of the literary men such as Seoyugu and Seohyeongsu in his mother's side of Dalseong Seo's family. For 35 years after entering government, in 1810, He had been in various positions. He took the retired life to write poems and appreciate scrapbooks till the end of his days. He only sought 'Sinkyeong', a kind of spiriting which works in the process of writing literary works: that is what a writer is immersed into aesthetic objects with himself lost and then the distance between the subject and object of the creation is gone. Junghyangmanpil was written as a travel essay by landscape writing in 1825, when he went sightseeing to Mt. Keumgang as Seoyugu recommending. He drained it from being described according to the date and schedule formally, with a way of Pilgijabrokhwa, which is to write the observation, experience, and discussion as a free-formed essay. I think that it is remarkable for him to realize Sinkyeong smoothly on shifting from views to sentiments to discussion by felicitously arranging the views, flavors of Mt. Keumkang, the order of nature from it, and so on.

Abstract

This is to check up the life and viewpoint on literature of a man, Songjiyang, one of the, by looking into the features and details of his most famous work, Junghyangmanpil. As a young man, he was more familiar with two of Sangsimgye, Hongseokmo and Hongkyeongmo, the sons of Nongsan Hong's family in Soron party, as well as developed the study under the influence of the literary men such as Seoyugu and Seohyeongsu in his mother's side of Dalseong Seo's family. For 35 years after entering government, in 1810, He had been in various positions. He took the retired life to write poems and appreciate scrapbooks till the end of his days. He only sought 'Sinkyeong', a kind of spiriting which works in the process of writing literary works: that is what a writer is immersed into aesthetic objects with himself lost and then the distance between the subject and object of the creation is gone. Junghyangmanpil was written as a travel essay by landscape writing in 1825, when he went sightseeing to Mt. Keumgang as Seoyugu recommending. He drained it from being described according to the date and schedule formally, with a way of Pilgijabrokhwa, which is to write the observation, experience, and discussion as a free-formed essay. I think that it is remarkable for him to realize Sinkyeong smoothly on shifting from views to sentiments to discussion by felicitously arranging the views, flavors of Mt. Keumkang, the order of nature from it, and so on.

참고문헌 (16)

  1. "冠巖全書", ~
  2. "朗山文稿", ~
  3. "明臯全集", ~
  4. "文科榜目", ~
  5. "司馬榜目", ~
  6. "石北文集", ~
  7. "日省錄", ~
  8. "朝鮮王朝實錄", ~
  9. "衆香漫筆", ~
  10. "楓石全集", ~
  11. 진필상, "한문문체론" (1995), 이회
  12. 이관성, "도애 홍석모의 한시 연구", 석사, 국어국문학, pp.2004
  13. 이군선, "관암 홍경모의 시문과 그 성격", 박사, 한국한문학, pp.2003
  14. 鄭雨峰, "19세기 詩論 硏究", 박사, 국어국문학, pp.1992
  15. 정우봉, "조선후기 遊記의 글쓰기 및 향유방식의 변화", 한국한문학연구, (49), pp.101~136 (2012), 한국한문학회[DOI]
  16. 정인혁, "조선후기 한문단편소설의 공간과 인물 연구-「茶母傳」을 중심으로-", 한국고전여성문학연구, (8), pp.247~272 (2004), 한국고전여성문학회

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