楚辭 「招魂」의 受容과 擴散 -조선시대 지식형성의 특징을 중심으로-

Abstract

This paper is a study on the <Chosa(楚辭)-the Chohone(招魂)>’s the status and the aesthetic sense of Acceptance and diffusion in the Joseon Dynasty. 屈原(Qu Yuan)’s Cho-sa, <the Chohone(招魂)> is the best <A queer poem> in china. <the Chohone> is Mandarin tree analogy for his firm and the simplicity of branches through the work. It consists of Four Letter Extended song, a total of two sections, consisting of a total of Four Letter A three-sixth line and a total of nine verses. The painting is a great piece of art, such as description, metaphor, symbolism, personification, and typing skills. Cho-sa, <the Chohone> is Based on the ecological ecology of the mandarin tree, the author wrote, " It is written on the basis of the ecology of the tree, and the author of the cave, and the spirit of the cave. " It is also a masterpiece of Chinese literature and literary works, and it is a pioneering work of ecopoetry and green literature. The theme of the faithful <the Chohone> was the fidelity of loyalty and fidelity from heaven and the spirit of loyalty to the faithful, based on the spirit of loyalty and patriotism. On the basis of this artwork, the whole notion of God was buried in the ground. Qu Yuan’s Cho-sa, <the Chohone> is Many of the scholars of the cave were sent to Ephesus by numerous scholars of Joseon Dynasty. The Chohone is Joseon Dynasty’s scholars from various fields show various traces of diverse texts in various fields. In Joseon, tangerines were grown in Jeju Island. The Joseon Dynasty, which was transported to Jeju Island during the Joseon Dynasty, saw the taste of a tangerine in Jeju Island, reminiscent of the song of the oyster, and expressed its feelings. Qu Yuan’s <the Chohone> was brilliantly illuminated in various works of Joseon Dynasty.