역학의 관점으로 본 민살풀이춤 연구

Abstract

This study examined Jo Gap-nyeo, who was the progenitor of Salpurichum dance, one of the traditional dances who had developed it in Namwon area of Honam Provincial and Sohwaggeonbeon, Furthermore, this study analyzed Minsalpurichum Dance from the perspective of I-Ching theory. In the first place, the study was examined the characteristics of Dongpyeonje and Seopyeonje in accordance with Minsalpurichum Dance of Jo Gap-nyeo․Jang Geum-do for representative movements. Accordingly, the symbol and image in Minsalpurichum Dance of Jo Gap-nyeo․Jang Geum-do was analyzed with the ideas of Mencius and Changzi, the two great oriental philosopher. In conclusion, the study analyzed Minsalpurichum Dance of Jo Gap-nyeo․Jang Geum-do through its movement and symbols from the perspective of I-Ching theory. The study also figured out the essence of traditional dance such as curve, beauty of emptiness and inadvertence in Minsalpurichum Dance of Jo Gap-nyeo and Jang Geum-do. In accordance with it, the study stressed the importance of humanistic ideas by combining the philosophy of innate traditional dance of Minsalpurichum Dance of Jo Gap-nyeo and Jang Geum-do with oriental ideas. In addition, the study was significant in that it signified the meaning of Minsalpurichum Dance of Jo Gap-nyeo․Jang Geum-do from I-Ching theory in order to record Minsalpurichum Dance.