피지컬 씨어터의 움직임에 나타나는 리좀적 특성

Abstract

In examination of the overall social movement, as fusion and convergence become the topic of the era, the number of various performance arts of various forms in the field of performance arts is increasing. Among them, physical theatre is conveying messages with the body as the main agent, expressing the social problems or phenomenon through movement. Such movements deviate from the general standardized things, and are expressed in pieces in various forms, similar to the concept of Rizome. In other words, by removing the focus, variety is acknowledged, and tries to see the concept of Deluuze expressed through changeable Rizome and the phenomenon occurring in the process of creating movements in physical theatre in the same meaning. Therefore, this research has its purpose in examining based on the concept of Rizome mentioned by Gill Deleuze to examine the main Characteristics in which movements are creased on physical theatre. The risome-characteristics were examined through the pieces of domestic physical theater over merely theoretical dimensions, and the directions that the physical theatre must explore in the field of performance art was explored. Also, rissole mentioned by Delouse is being reflected variously in other fields of art, and it is considered more valuable to examine how such risome characteristics are expressed in physical theatre. Also, it has significance in providing various methodological examples to creators pursuing physical theatre.