무애무(無㝵舞)사상의 예술적 의미와 해석: 一心思想과 三大를 중심으로

Abstract

In this study, I study the one - mindedness of two minds and the three majores of the universe thought, which is the background thought of non - affection, from the perspective of 'the artistic realization of thought'. It suggests the ideological basis from the uniqueness of Wonhyo 's one - sided thought to the development of non - aggression and attempts to interpret the logic of the three phases of the phase for the same meaning as the principle of creation of dance do. The purpose of this study is to examine the fundamental meaning of dance in this era. The essence of the universe and the third is a kind of phenomenological attempt of 'mind'. Based on the discussion, the implications for non - caring are as follows. First, Muae-mu is a phenomenon that life, thought and dance penetrate through the representation of one heart. Second, Muae-mu is an art to escape from life and an art to be a life. Third, Muae-mu is the practice of the mind that expands thought from the idea of ​​dominating the body. Dance is not an idea but a living dance of living. It is the sincerity of dancing that makes the whole-day language of body as body and phase one, reviving the sense of life in a single change in the vital transformation.