紛靑技法을 응용한 陶磁作品 硏究
A Study on the Pottery with the Application of Buncheong Technique
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초록
朝鮮時代 粉靑沙器 制作技法을 살피고 발표자가 새로이 연구계발 한 粉靑陶磁 作品의 制作過程을 설명한다. 우리나라 陶磁器는 일찍이 三國時代 이후 면면히 발전하여 왔다. 朝鮮朝의 粉靑沙器는 高麗靑瓷의 影響아래 制作되기 始作 하였다. 粉靑沙器가 製作된 朝鮮朝의 前半期는 高麗朝에서 내려오던 政治, 社會, 文化, 宗敎의 모든 面이 새로이 정비되어 朝鮮王朝의 새면모를 갖추는 時期였고, 이러한 背景아래 藝術의 活動은 新興의 意氣에 불타고 建設的인 特色을 갖게 되었다. 이 시기의 陶磁器 中에는 特 히 여러種類의 粉靑沙器가 활발히 製作 되었다. 이 논문은 이 시기의 다양한 技法을 硏究함을 目的으로 한다. 粉靑技法을 이용한 作品硏究를 위한 方法으로는 사진자료 등을 통해 세부적인 製作技法과 施紋에 따른 造形意識을 연구하였다. 이를 바탕으로 또다른 技法의 作品制作에 대하여 설명 하고자 한다.
Abstract
It is to review the production process of Buncheong(grayish blue powdered) porcelain in the Joseon Dynasty and to present the production process of newly developed pieces of Buncheong porcelain. Pottery in our country has been continuously developed since the era of Three Kingdoms. Buncheong porcelain in the Joseon era was produced under the influence of the Goryeo celadon(Cheongja). In the early part of the Joseon era when Buncheong porcelain was made, all aspects of politics, society, culture, and religion from the Goryeo Dynasty were newly organized and re-framed for the new aspects of the Joseon Dynasty. Under these background, activities in arts were flamed with new spirits and had constructive characteristics. In particular, various kinds of Buncheon porcelain was actively made among the pottery in this era. This study was aimed to study various techniques in this era. For the methodology in the study of pieces using Buncheong technique, detailed production techniques and the formative consciousness of pressed patterns were studied through photographic data. Also, the production with another technique was described on the basis of this study