승무의 이원성에 관한 철학적 고찰

Abstract

This research thesis probes the historical background of the “Seungmu” based on its theory of origin and inherent aesthetic qualities of dualism. First, the “Seungmu” controls and suppresses the emotion and sublimates all dark grudges into tenacity and persistence. It also depicts a repetitive cycle on the dualities of death and pain being transformed into joy and hope. Second, the contrasting structural characteristics of the dance moves appear in the upper and lower body through a series of unique movements, respectively. The upper body movement portrays a sense of silence and solemnity. Meanwhile, the lower body movement is very dynamic yet delicate and mild. Third, Seungmu is a dual aesthetic characteristic of “jeongjungdong” that emphasizes the harmony of yin and yang. The principles of Taegeuk, harmony of yin and yang, “danjeon” by breathing, “jeongjungdong”, and “dongjungjeong” are harmonized. “Dong” and “jeong” are dualistic ideas and symbolize the world of synthesis and transcendence. Fourth, the "three large and three small rhythms" and “yangwoosun” of Seungmu are cyclical structures in which the movements are repeated. It follows the dual principle of Taegeuk, in which the movement reaches its climax and gradually becomes quiet. When the stillness reaches its climax, a dynamic movement occurs again.