언캐니 개념을 차용한 도예작가 연구

Abstract

In this study, the aesthetic characteristics appearing three modern ceramic artist's works were examined by based oon Freud's uncanny theory. The uncanny is described in Freud's psychoanalysis as the "regression of the repressed body." It is also a prominent feature of the reaction due to the development of modern machine civilization. Freud refers to the uncanny as an aesthetic element that replaces beauty and the uncanny concept becomes an attractive element to contemporary artists challenging the limits of aesthetics through constant challenges and experiments. while the concept of the existing aesthetic focuses on the sublime and beautiful concept, the concept of the uncanny such as fear, anxiety, and bizarreness has become a filed of aesthetics and has reached a topic of interest to modern pottery artists as well. The purpose of this study was to see how the uncanny's aesthetic feature were expressed in ceramic works. For this study, two domestic and two foreign artists among the representative artists who borrowed the concept of the Uncanny were selected and examined their common characteristics and differences in how uncanny aesthetics appeared to contemporary ceramic artists through their works of art. Hwang Jae-won made FFanG, a self-portrait doll to double express his oppressed self. And Cha You jong borrowed the psychological mechanism of the Uncanny, trauma, to approach his complex with metaphorical expression and ambivalence. Christi Brown expressed the illusion of unfamiliarity as if it were bringing life into things through the return of archaeological relics. On the other hand, Sergei Isupov was able to find out that he conveyed an unfamiliar feeling by contrasting the people's life, diversity, and the artist's experience.