행실도 판화의 제사 표현 연구

Abstract

Haengsildo prints influenced the Confucian status and customs of the Joseon Dynasty a lot. In particular, they contributed a lot to the expansion of the base of Confucian culture such as funeral and ancestral rites. Carrying out deceased’s body by bier and ancestral rites at the grave are examples of confucian funeral spread by Haengsildo print. It also popularized the confucian rites enshrine the portrait of deceased. However it was replaced by the memorial tablet, since the difficulty of storing and producing the deceased's portrait. The process of change is revealed on the Haengshildo print. Food and hall built for ancestral rites were also depicted on prints and circulated. Depiction of a three-year ancestral ritual at the grave spread to the private sector. Haengsildo prints contributed a lot the edification of Confucian ethics and the spread of Confucian customs. These Confucian traditions have been maintained as they are or have been reasonably changed. Typically, deceased's body is carried out by a car instead of bier. Ancestral rites held at the Grave has been simplified and the deceased's portrait was replaced by photo. And in later ritual, portrait was replaced by photo or memorial tablet. Three-year ancestral ritual at the grave is not implemented today, but remained as visiting deceased's graves for new year greeting or Thanksgiving day. Food for ancestral rites also has been simplified. Therefore, the customs of Confucian culture leading by Haengsildo print related to funeral and ancestral rites are being simplified or changed rationally. It is hoped that this research of ancestral rites depicted on Haengsildo prints help understanding the Confucian culture expanded and spread in the Joseon Dynasty and the Confucian rituals that have been maintained to this day.