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딸림7화음과 반감7화음들 간의 화성적 변형

Contextual transformations for Dominant Seventh Chords and Half-diminished seventh Chords

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참고문헌

키워드

주제분류음악학

참고문헌 (18)

  1. "후고 리만의 화성이론에 관한 연구.", 18, pp.135~57 (2004), 한양대학교 음악연구소
  2. "네오리이만 변형이론의 역사적 배경 및 기본개념.", (7), pp.227~65 (2004), 한국서양음악학회
  3. "협화3화음에서의 화성적 원모형과 성부진행 측정기법.", 18, pp.105~34 (2004), 한양대학교 음악연구소
  4. "Voice-Leading Parsimony in the Music of Alexander Scriabin", 42(2), pp.219~33 (1998)
  5. "Moving Beyond Neo-Riemannian Triads Exploring a Transformational Model for Seventh Chords.", 42(2), pp.181~93 (1998)
  6. "Flip-Flop Circles and Their Groups", 13, pp.169~201 (1999), 한양대학교 음악연구소
  7. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions", 15(1), pp.9~40 (1996)
  8. "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz representation", 41(1), pp.1~66 (1997)
  9. "Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective", 42(2), pp.167~80 (1998)
  10. "Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition", 42(2), pp.241~63 (1998)
  11. "Some Aspects of Three-Dimensional Tonnetze.", 42(2), pp.195~206 (1998)
  12. "Moritz. Die Natur der Harmonik und der Metrik. Leipzig English trans. by W. E. Heathcote as The Nature of Harmony and Metre. New York" (1853)
  13. "Reimag(in)ing Riemann", 39(1), pp.101~38 (1995)
  14. "Dualist Tonal Space and Transformation in Nineteenth-Century Musical Thought History of Western Music Theory. Edited by Thomas Christensen. Cambridge University Press", pp.456~76 (2002), Cambridge University Press
  15. "Some Remarks on the Use of Riemann Transformations." (1994)
  16. "Transformational Techniques in Atonal and Other Music Theories. Perspectives of New Music 21", 1-2, 1982-3, 312~71
  17. "Arthur von. Harmonie in dualer Entwickelung" (1866)
  18. "Breitkopf & Hrtel. Enlarged as Handbuch der Harmonielehre"

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