하이든의 후기 현악4중주 《Op. 64》에서 《Op. 74》까지: 양식적 변화 분석연구
Hayn's Late String Quartets, Op.64-Op.74: An Analytical Study of Stylistic Change
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Haydn's late string quartets are studied from two aspects regarding why and how he would develop the new style. One is from the change of convention faced in London(1791-92), that is, playing chamber music in a public hall. And the other is based on my analytic comparison of op.71-no.1, one among the six works of opp.71-74 which were composed to be played during the second London sojourn, to op.64-no.6, which was composed just before the first visit to London. The new style in no.1 is based on the same form and has similar length with the chamber style of no.6, except for the last movement. Nevertheless, this fact should not undermine other values of the new style, since no.1 shows enormous varieties and extensions in smaller sections for the pursuit of drama in quasi-orchestral sonority. And those new characters in no.1 are further traced or deepened in the rest of op.71 & op.74.
Abstract
Haydn's late string quartets are studied from two aspects regarding why and how he would develop the new style. One is from the change of convention faced in London(1791-92), that is, playing chamber music in a public hall. And the other is based on my analytic comparison of op.71-no.1, one among the six works of opp.71-74 which were composed to be played during the second London sojourn, to op.64-no.6, which was composed just before the first visit to London. The new style in no.1 is based on the same form and has similar length with the chamber style of no.6, except for the last movement. Nevertheless, this fact should not undermine other values of the new style, since no.1 shows enormous varieties and extensions in smaller sections for the pursuit of drama in quasi-orchestral sonority. And those new characters in no.1 are further traced or deepened in the rest of op.71 & op.74.
참고문헌 (14)
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