요한 크리스티안 바흐의 클라비어협주곡: '바로크에서 고전주의로'
The Keyboard Concertos of Johann Christian Bach: 'from Baroque to Classicism'
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Johann Christian Bach's keyboard concertos added an important change to Antonio Vivaldi's ritornello form through several innovative attempts. It could not break the transitional characteristics because of the residuals of ritorinello form like repetition of tutti ritorinello and lack of cadenza, and recapitulation in imperfect form. However, the structural importance of solo part that gradually establishes frame of sonata form results in approaching to the form of the classical concerto including double exposition, development and recapitulation and even tonal organization. In concertos of Bach, the musical languages of the new generation appear such as the well-balanced form with the duality of theme, the technique of motivic development,interrelated ritornello and solo, applying pianoforte as a solo instrument, flexible singing melody,and richness in sound by the inclusion of wind instruments.
Abstract
Johann Christian Bach's keyboard concertos added an important change to Antonio Vivaldi's ritornello form through several innovative attempts. It could not break the transitional characteristics because of the residuals of ritorinello form like repetition of tutti ritorinello and lack of cadenza, and recapitulation in imperfect form. However, the structural importance of solo part that gradually establishes frame of sonata form results in approaching to the form of the classical concerto including double exposition, development and recapitulation and even tonal organization. In concertos of Bach, the musical languages of the new generation appear such as the well-balanced form with the duality of theme, the technique of motivic development,interrelated ritornello and solo, applying pianoforte as a solo instrument, flexible singing melody,and richness in sound by the inclusion of wind instruments.
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