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Study on the Characteristics and Production Techniques of the Clay Seated Vairocana Buddha Triad of Seonunsa Temple, Gochang(2) - Analysis of Gold Leaf Layers and Internal Structure of the Clay Buddha Statues

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In this study, a scientific analysis of the gold leaf layers and internal structure of the Clay Seated Vairocana Buddha Triad in Seonunsa Temple, Gochang (Treasure No. 1752) was conducted. The surface of the Buddha statues is a gold foil, and the gold leaf layer consists of four layers. The gold leaf layer first composed on the molding clay was produced in the order of lacquer-fabrics-lacquer-gold foil. Subsequently, it was confirmed that the work was performed three times in the same way. The composition of the Buddha statues was divided into the head, body or upper body, lower body, and pedestal. The body was made in a cylindrical form by connecting vertically oriented wooden materials, and the head and lower body were also connected to the body in an empty form. Thus, the head, body, and lower body are grafted structures that are connected to a single Bokjang-gong. It was confirmed that the Clay Seated Vairocana Buddha Triad in Seonunsa Temple was made using wood materials for the basic form, after which the detailed form was created with molding clay, and the surface was finished with a process of layering gold foil and substances presumed to be lacquer.

Abstract

In this study, a scientific analysis of the gold leaf layers and internal structure of the Clay Seated Vairocana Buddha Triad in Seonunsa Temple, Gochang (Treasure No. 1752) was conducted. The surface of the Buddha statues is a gold foil, and the gold leaf layer consists of four layers. The gold leaf layer first composed on the molding clay was produced in the order of lacquer-fabrics-lacquer-gold foil. Subsequently, it was confirmed that the work was performed three times in the same way. The composition of the Buddha statues was divided into the head, body or upper body, lower body, and pedestal. The body was made in a cylindrical form by connecting vertically oriented wooden materials, and the head and lower body were also connected to the body in an empty form. Thus, the head, body, and lower body are grafted structures that are connected to a single Bokjang-gong. It was confirmed that the Clay Seated Vairocana Buddha Triad in Seonunsa Temple was made using wood materials for the basic form, after which the detailed form was created with molding clay, and the surface was finished with a process of layering gold foil and substances presumed to be lacquer.

참고문헌 (6)

  1. Records and investigation of conservation status reports on clay seated vairocana buddha triad of Seonunsa temple, "Georim Culture Heritage and Gochang-gun", ~ (2018)
  2. 한경순, "順天 松廣寺 四天王像 제작기술에 관한 연구", 서지학연구, (30), pp.97~114 (2005), 한국서지학회
  3. 한두루, "완주 송광사 소조사천왕상의 재질특성 및 제작기법 해석", 보존과학회지, 28(4), pp.353~366 (2012), 한국문화재보존과학회
  4. 전경미, "조선후기 호남 북서부지역 소조상 제작기법 및 보존에 대하여", 강좌미술사, (32), pp.179~209 (2009), 한국불교미술사학회
  5. 이화수, "보물 제1752호 고창 선운사 소조비로자나삼불좌상 재질특성 및 제작기법 연구(1): 소조불상 주요 구성재료 분석", 보존과학회지, 36(6), pp.562~577 (2020), 한국문화재보존과학회
  6. 이정은, "서울 동관왕묘 소조상의 비파괴진단 및 제작기법 해석", 보존과학회지, 29(1), pp.35~45 (2013), 한국문화재보존과학회[DOI]

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