『악학궤범』<봉래의> ‘치화평무’의 복원 및 재현을 위한 고무보(古舞譜) 고찰

Abstract

Chihwapyeongmu presented in Akhakguebeom begins with 8 dancers standing in the Sabang formation. They pair themselves singing changsa and dancing at bukdae. Then they rotate in the useon(右旋) formation. When the dance of the last pair ends, the entire group does junganghoeseon to end up standing in the left and right formation. It is conducted in the changsa structure, which consists of 4 chapters, ‘bulhwijang-jugukjang(周國章)-jeoginjang(狄人章)-chiljeojang(漆沮章),’ ‘sangdeokjang(商德章)-beulgeunsaejang-taejajang(太子章)-bongcheonjang(奉天障),’‘ilbujang(一夫章)-uyejang(澞芮章)-onyeonjang(五年章)-malsajang,’and‘seongsonjang(聖孫章)-yangjagangjang(陽子江章)-domangjang(逃亡章)-cheonsejang(千世章),’ and has the same structure and form as the dance. However, names of the dance and progression order are specified only for the first 2 at bukdae, but not for the other 3 dae dancers. Also, it’ difficult to identify the dance pathways for those dancers who do useonhwaemu and hwaemu because dancers are not specified[two at bukdae]. Therefore, this research attempts to analyze the structure of Chihwapyeongmu of “Bonglaeeui” in Akhakguebeom, which was danced to “Chihwapyeong” music recorded in Sejongsillokakbo, from the practical perspective of performance. The conclusions are as follows;First, the 2 bukdae dancers of Chihwapyeongmu are identified in jeongjaemudo of Akhakguebeom, like jwamu 1 and 2, jwamu 3 and 4, umu 4 and 3, and umu 2 and 1. Accordingly, the dance at bukdae was performed in pairs of jwamu and jwamu and umu and umu. Secondly, each dancer dances according to the changsa structure of Chihwapyeongmu that consists of 4 chapters. It is performed in order of ‘bukhyangmu-daemu-baemu-useonhwaemu /hwaemu’. Judging from this, it could be assumed that there was a common structure of dance for all the dancers. Thirdly, the comparison between changsa and holgi revealed that there were common moves applied to every dancer of Chihwapyeongmu, for example guemcheokmu when they dance bukhyangmu at bukdae, sasumu when they perform useonhwaemu, yeomsujokdo after they change their positions following useonhwaemu, and bukhyang between daemu and baemu. Finally, the pathways of each dancer are different between useonhwaemu and hwamu: While useonhwaemu goes in order of jwamu 1-2-3-4 and umu 4-3-2-1, hwamu is performed in order of jwamu 1-2-3-4 and umu 1-2-3-4-2-1.