조선 후반기 제1기(광해군-경종대) 불교공예의 명문과 양식적 특성 연구

Abstract

After Japanese Invasion and Manchu Invasion, Buddhist crafts were greatly increased based on Buddhist bell from the beginning of the 17th century. In case of Buddhist bell, monk craftsman led the creation of Buddhist bell in early 17th century, private craftsman who formed regional lineage made a various Buddhist bell after the middle 17th century. Buddhist Gongs of the 17th century shows the transitional process to Joseon metal drum and completion of typical style. In case of Sarira reliquaries, a small number of examples has been found. Because stone work of the building did not have much. Incense burners(Hwang-wan) of the 17th century were degraded in forms and patterns. After completing masterpiece of Tongdosa hwang-wan made in 1694, the form of silver inlaid hwang-wan was disappeared. The cloud-shaped plate of Leeum(Samsung museum of art) is the only example of the 17th century, but this work shows the newly established traditional form. The wooden works are the important art works in this period like wooden mirror of Cheonggoksa temple made in 1693 and wooden sutra case of Daedunsa temple made in 1630. Especially Four Guardian Kings painting drawn yellow color inside door of wooden sutra case of Daedunsa temple is the only drawing Buddhist painting material. Also the Buddhist tablet with inscription Manli 34th(1606) has important value in research of Buddhist wooden works of 17th century