트랜스미디어 방법론을 이용한 무용 기록 방안에 대한 연구 - 살풀이 춤 무보집의 사례를 토대로

Abstract

Records of dance have been developed by trial and errors and various studies, but a dance notation that can be used popularly has not been provided. On recording Korean traditional dances in particular, there are many parts that cannot be satisfied with western dance notation. It is obvious that recording and preserving the delicacy of Korean traditional dances would be our cultural heritage for expressing and continuing our spirits. This is why dance notation is a domain that should be completed by incessant studies and developments. In this context, the purpose of this study is to investigate various methods of dance notation including the existing film recording, Ja-mo (using Korean consonants and vowels) dance notation, Laban notation, and dance notation by using motion capture, and to research a new measure of recoding traditional dances via comparing their merits and demerits. Recording dances is critical by introducing digital media being rapidly developed into the recording for permanent preservation and without deterioration of its values. For doing this, the authors in this study provided new measure of recording by using transmedia methodology based on the cases in which Jungboo Salpuri dance in Cho Heung Dong style was recorded by dance notation. Although the results were made as a book, the images and contents contained three-dimensional data out of the existing style of dance notation of texts and plane images. In other words, the authors used transmedia methodology in which digital techniques are used complicatedly and organically and individual dancing actions are regarded as visual information, and visualize the whole Records of dance notation via information design. Also, the authors focused methods of showing dancing actions visually not only to record the actions accurately but for users to easily reorganize the recorded actions. For doing this, the authors enabled the records of dance notation to function as a new method of communication via record, analysis, and recombination of visual data by efficient utilization of the existing media techniques. Conclusively, the results of this study were a reinterpretation of the forms of the existing dance notation working when a measure of visual expression are focused and the whole dancing is considered to be a flow of time. Although it may not be stated that the measure provided in this study is a complete one for dance notation, the basic idea on recording dance was realized under limited conditions as a concrete result and the authors could conduct various experiments on the basic information structure and methods of visualization via digital media. Further studies are necessary to research measures of recording not only traditional solo dances but folk group dances on the production of dance notation.