쌍계사 대웅전 석가 삼세불회도(三世佛會圖)의 연구

Abstract

This study on the Painting of Sakyamuni Three Worlds Buddha Mass at the Daewungjeon Hall of Ssanggyesa Temple is important in several respects. First, the painting of Sakyamuni Three Worlds Buddha Mass created around 1639 in the Daewungjeon Hall, which was rebuilt in 1636, was damaged, and then in 1781, about 140 years later, Seung‐yun, Pyeong‐sam, Ham‐shik, etc. became head painter monks and newly created the painting of Sakyamuni Three Worlds Buddha Mass, which is a very large and magnificent Buddha painting. Second, this painting of Sakyamuni Three Worlds Buddha Mass has three Buddha mass paintings side by side including the Sakyamuni Yeongsan mass painting in the center, the Bhaisaiyaguru mass painting on the left, and the Amitabha mass painting on the right. Centered on Sakyamuni, Bhaisaiyaguru, and Amitabha, there are the main vassals are arranged side by side. Third, the composition is magnificent and symmetrical and orderly, the main Buddha is overwhelmingly majestic, the shoulders are right angles, the body is rectangular, and the colors and patterns are the greatest masterpiece of the time, Buddha paintings, showing the characteristics of dignified splendor and elaborate luxury. Fourth, Seung‐yun, the head painter monk of this three worlds Buddha mass painting (Yeongsan mass painting), is likely to be Kwae‐yun, and Pyeong‐sam can be presumed to be one of Kwae‐yun's disciples. Fifth, this three worlds Buddha mass painting is evaluated as the most magnificent and majestic masterpiece among the three large three‐panel Buddha paintings, as well as the three‐panel three worlds Buddha painting that remained rare from the late Joseon period.