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Written by SanSan Kwan, Love Dances: Loss and Mourning in Intercultural Collaboration, New York: Oxford University Press, 2021. 128 Pages.

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참고문헌 (17)

  1. Amin, T., "Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance" (2015), Oxford University Press
  2. Bow, L., "Racist Love: Asian Abstraction and the Pleasures of Fantasy" (2022), Duke University Press
  3. Chan, P, "Final Bow for Yellowface: Dancing Between Intention and Impact" (2020), Yellow Peril Press
  4. Cheng, A. A., "Ornamentalism" (2019), Oxford University Press
  5. Hamera, J, "Dancing Communities: Performance, Difference and Connection in the Global City" (2006), Palgrave Macmillan
  6. Hartman, S. V., "Innocent Amusements: The Stage of Sufferance. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America" (1997), Oxford University Press
  7. Hewitt, A., "Social Choreography: Ideology as Performance in Dance and Everyday Movement" (2005), Duke University Press
  8. Kim, J. Y, "The Racial Mundane: Asian American Performance and the Embodied Everyday" (2015), New York University Press
  9. Lee, E. K, "Made-Up Asians: Yellowface During the Exclusion Era" (2022), University of Michigan Press
  10. Moy, J. S., "Marginal Sights: Staging the Chinese in America" (1993), University of Iowa Press
  11. Orr, A, "Dance Works: Stories of Creative Collaboration" (2023), Wesleyan University Press
  12. Phelan, P, "Unmarked: The Politics of Performance" (1996), Routledge
  13. Said, E. W., "Orientalism" (1978), Vintage Books
  14. Shimakawa, K, "National Abjection: The Asian American Body on Stage" (2002), Duke University Press
  15. Stephens, M. A, "Skin Acts: Race, Psychoanalysis, and the Black Male Performer" (2014), Duke University Press
  16. Wong, Y., "Contemporary Directions in Asian American Dance" (2016), University of Wisconsin Press
  17. Wong, Y, "Choreographing Asian America" (2010), Wesleyan University Press

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