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Written by SanSan Kwan, Love Dances: Loss and Mourning in Intercultural Collaboration, New York: Oxford University Press, 2021. 128 Pages.
무용역사기록학회 (The Society for Dance Documentation & History)|2024.03|무용역사기록학 (Asian Dance Journal)|제72권 |pp. 173-179
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참고문헌 (17)
- Amin, T., "Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance" (2015), Oxford University Press
- Bow, L., "Racist Love: Asian Abstraction and the Pleasures of Fantasy" (2022), Duke University Press
- Chan, P, "Final Bow for Yellowface: Dancing Between Intention and Impact" (2020), Yellow Peril Press
- Cheng, A. A., "Ornamentalism" (2019), Oxford University Press
- Hamera, J, "Dancing Communities: Performance, Difference and Connection in the Global City" (2006), Palgrave Macmillan
- Hartman, S. V., "Innocent Amusements: The Stage of Sufferance. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America" (1997), Oxford University Press
- Hewitt, A., "Social Choreography: Ideology as Performance in Dance and Everyday Movement" (2005), Duke University Press
- Kim, J. Y, "The Racial Mundane: Asian American Performance and the Embodied Everyday" (2015), New York University Press
- Lee, E. K, "Made-Up Asians: Yellowface During the Exclusion Era" (2022), University of Michigan Press
- Moy, J. S., "Marginal Sights: Staging the Chinese in America" (1993), University of Iowa Press
- Orr, A, "Dance Works: Stories of Creative Collaboration" (2023), Wesleyan University Press
- Phelan, P, "Unmarked: The Politics of Performance" (1996), Routledge
- Said, E. W., "Orientalism" (1978), Vintage Books
- Shimakawa, K, "National Abjection: The Asian American Body on Stage" (2002), Duke University Press
- Stephens, M. A, "Skin Acts: Race, Psychoanalysis, and the Black Male Performer" (2014), Duke University Press
- Wong, Y., "Contemporary Directions in Asian American Dance" (2016), University of Wisconsin Press
- Wong, Y, "Choreographing Asian America" (2010), Wesleyan University Press
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