Toward the Holistic Experience of Music Performance: The Musician’s Progress
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Recent studies have shown that bodily engagement in performing musical arts helps ameliorate performance issues. This narrative research takes a further step into an individual’s embodied progress as essential knowledge in the holistic music performance experience. For the findings, the narrative of the musician’s progress was reconstructed in three states: Inhibited Self; Liminal Self; and Sacred Self, followed by the researcher’s crystallization of the narrative with themes of Music in self and Self in Music. The study unveils a musician’s lifelong embodied progress as a way of cultivating and restoring the musical self into the sheer agent of musical sounds. This study contributes to underrepresented narrative music performance studies, advocating the findings from my former studies that a musician’s self can serve the whole capacity toward the transcendental knowing in the soul-body/self-music connectivity restored, with a sense of wholeness offered.
Abstract
Recent studies have shown that bodily engagement in performing musical arts helps ameliorate performance issues. This narrative research takes a further step into an individual’s embodied progress as essential knowledge in the holistic music performance experience. For the findings, the narrative of the musician’s progress was reconstructed in three states: Inhibited Self; Liminal Self; and Sacred Self, followed by the researcher’s crystallization of the narrative with themes of Music in self and Self in Music. The study unveils a musician’s lifelong embodied progress as a way of cultivating and restoring the musical self into the sheer agent of musical sounds. This study contributes to underrepresented narrative music performance studies, advocating the findings from my former studies that a musician’s self can serve the whole capacity toward the transcendental knowing in the soul-body/self-music connectivity restored, with a sense of wholeness offered.
참고문헌 (35)
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