The Musician's Epiphany: An Autoethnography
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This autoethnographic study derives from a breakthrough journey experienced as a professional musician. It explores, interrogates, and illuminates the musician’s epiphany, a reformation of the musician’s lived knowledge of the mind-body. In the findings, the epiphany manifested three primary concepts: Body, Lived agent of knowing; The embodied mind-body and sound, Lived agents of musical knowing; The unity of the body and the mind, Transcendental knowing in music. This study contributes to the underrepresented qualitative music performance studies and calls for cultivating our intrinsic mind-body as the lived musical agent.
Abstract
This autoethnographic study derives from a breakthrough journey experienced as a professional musician. It explores, interrogates, and illuminates the musician’s epiphany, a reformation of the musician’s lived knowledge of the mind-body. In the findings, the epiphany manifested three primary concepts: Body, Lived agent of knowing; The embodied mind-body and sound, Lived agents of musical knowing; The unity of the body and the mind, Transcendental knowing in music. This study contributes to the underrepresented qualitative music performance studies and calls for cultivating our intrinsic mind-body as the lived musical agent.
참고문헌 (19)
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