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일상적 삶의 시: 필립 라아킨의 『덜 속은 사람들』

The Poetry of Everyday Life: Philip Larkin’s The Less Deceived

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Philip Larkin makes efforts to write about only what he feels deeply in life. Larkin chooses the material of his poetry from everyday experiences which move him deeply because he believes that poetry can communicate pleasure to the reader by recording actual experiences faithfully. Thomas Hardy’s poetry gave him confidence to feel in his own way. Larkin’s main concern is focused on the problems common people can observe in the life around them. I examined Larkin’s attitude toward life in terms of his personal experiences and the social and cultural backgrounds of contemporary Britain. Larkin’s attitude toward life is closely related to British social and cultural backgrounds which the Movement poets shared. But Philip Larkin’s poetry goes beyond the limitations of the Movement poets. Although it is considered a typical poem of the Movement, “Church Going” presents a more imaginative understanding of the social situation of contemporary Britain.

Abstract

Philip Larkin makes efforts to write about only what he feels deeply in life. Larkin chooses the material of his poetry from everyday experiences which move him deeply because he believes that poetry can communicate pleasure to the reader by recording actual experiences faithfully. Thomas Hardy’s poetry gave him confidence to feel in his own way. Larkin’s main concern is focused on the problems common people can observe in the life around them. I examined Larkin’s attitude toward life in terms of his personal experiences and the social and cultural backgrounds of contemporary Britain. Larkin’s attitude toward life is closely related to British social and cultural backgrounds which the Movement poets shared. But Philip Larkin’s poetry goes beyond the limitations of the Movement poets. Although it is considered a typical poem of the Movement, “Church Going” presents a more imaginative understanding of the social situation of contemporary Britain.

참고문헌 (19)

  1. Ayer, Alfred Jules, "Language, Truth and Logic" (1946), Gollancz
  2. Bedient, Calvin, "Eight Contemporary Poets" (1974), Oxford UP
  3. Cox, C. B., "Modern Poetry: Studies in Practical Criticism" (1984), Edward Arnold
  4. Enright, D.J., "Poets of the 1950’s" (1955), Kenkyusha
  5. Haffenden, John, "Viewpoints: Poets in Conversation with John Haffenden" (1981), Faber
  6. Hamilton, Ian, "Four Conversations: Philip Larkin", London Magazine, 4(6), pp.71~77 (1964)
  7. Hartley, Anthony, "A State of England" (1963), Harcourt
  8. Hartley, George, "Philip Larkin 1922-1985: A Tribute" (1988), Marvell
  9. King, P. R., "Nine Contemporary Poets: A Critical Introduction" (1979), Methuen
  10. Kuby, Lolette, "An Uncommon Poet for the Common Man: A Study of Philip Larkin’s Poetry" (1974), Mouton
  11. Larkin, Philip, "The Less Deceived" (1955), Marvell
  12. Larkin, Philip, "Required Writing: Miscellaneous Pieces 1955-1982" (1983), Faber
  13. Martin, Bruce K., "Philip Larkin" (1978), Twayne
  14. Morrison, Blake, "The Movement: English Poetry and Fiction of the 1950s" (1980), Oxford UP
  15. Petch, Simon, "The Art of Philip Larkin" (1981), Sydney UP
  16. Rossen, Janice, "Philip Larkin: His Life’s Work" (1989), Harvester Wheatsheaf
  17. Timms, David, "Philip Larkin" (1973), Oliver & Boyd
  18. Wain, John, "Engagement or Withdrawal? Some Notes on the Work of Philip Larkin", Critical Quarterly, 6, pp.167~178 (1964)
  19. Whalen, Terry, "Philip Larkin and English Poetry" (1986), Macmillan

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