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셸리의 사회개혁사상에 나타난 폭력의 문제

Social Protest and Violence in Shelley’s Ideas of Social Reform

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초록

The 1810s, during which Shelley wrote most of his major works, was characterized by social unrest and active debate over social reform. The lower classes expressed their dissatisfaction with the existing political and economic structures through several major public uprisings and strikes, which the government harshly repressed, even to the extent of killing people as in the Peterloo Massacre in 1819. All the political and social turmoils of this period ushered in an active discussion about violence in English society. In contemporary reform politics, the question of violence was a matter closely related to a larger discourse of reform vs. revolution. Shelley strongly protested against the violent tactics used by the ruling classes to oppress people, but, at the same time asked people never to resort to violence in their social protests. He believed that English society needed a revolutionary social reformation, but he did not want to have it accomplished through bloody violence as in the French Revolution. He suggests that people should use the power of reason, instead of violence because he believed that changing people’s social concepts of oppression and liberty was the first step in bringing about the social reform he longed for.

Abstract

The 1810s, during which Shelley wrote most of his major works, was characterized by social unrest and active debate over social reform. The lower classes expressed their dissatisfaction with the existing political and economic structures through several major public uprisings and strikes, which the government harshly repressed, even to the extent of killing people as in the Peterloo Massacre in 1819. All the political and social turmoils of this period ushered in an active discussion about violence in English society. In contemporary reform politics, the question of violence was a matter closely related to a larger discourse of reform vs. revolution. Shelley strongly protested against the violent tactics used by the ruling classes to oppress people, but, at the same time asked people never to resort to violence in their social protests. He believed that English society needed a revolutionary social reformation, but he did not want to have it accomplished through bloody violence as in the French Revolution. He suggests that people should use the power of reason, instead of violence because he believed that changing people’s social concepts of oppression and liberty was the first step in bringing about the social reform he longed for.

참고문헌 (16)

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  2. Altick, Richard, "Victorian People and Ideas: A Companion for the Modern Reader of Victorian Literature" (1973), Norton
  3. Cameron, Kenneth Neill, "Shelley As Philosophical and Social Thinker: Some Modern Considerations", Studies in Romanticism, 21(3), pp.357~366 (1982)
  4. Duffy, Cian, "Shelley and the Revolutionary Sublime" (2005), Cambridge UP
  5. Foot, Paul, "Red Shelley" (1988), Bookmarks
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  7. Keats, John, "John Keats and Percy Bysshe Shelley: Complete Poetical Works" (1932), B. A. Cerf and D. S. Klopher
  8. Maniquis, Robert M., "Filling up and Emptying the Sublime: Terror in British Radical Culture", Huntington Library Quarterly, 63(3), pp.369~405 (2000)
  9. Mathews, G. M., "A Volcano’s Voice in Shelley, In Percy B. Shelley. Shelley’s Poetry and Prose", pp.550~568 (2002), Norton
  10. Murray, E. B., "Introduction, In Percy Bysshe Shelley. The Prose Works of Percy Bysshe Shelley. 2 Vols", pp.23~52 (2001), Clarendon P
  11. Reiman, Donald, "Shelley : Poet and Legislator of the World" (1996), Johns Hopkins UP
  12. Shelley, Percy Bysshe, "The Cenci: A Tragedy in Five Acts" (2008), Valancourt Books
  13. Shelley, Percy Bysshe, "The Letters of Percy Bysshe Shelley. 2 Vols" (1964), Clarendon P
  14. Shelley, Percy Bysshe, "The Prose Works of Percy Bysshe Shelley. 2 Vols" (2001), Clarendon P
  15. Stauffer, Andrew M., "Celestial Temper: Shelley and the Masks of Anger", Keats-Shelley Journal, 49, pp.138~161 (2000)
  16. Wofson, Susan J., "Poetic Form and Political Reform: The Mask of Anarchy and “England 1819”, In Percy B. Shelley. Shelley’s Poetry and Prose", pp.722~735 (2002), Norton

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