남해안 별신굿 춤의 구조와 특징

Abstract

The aim of this paper is to analyze structure and feature of dance of Byeol Sin Goot in the Southern Coast. The structure and feature of dance of Byeol Sin Goot in the Southern Coast is occasionally dancing holding with the musical instrument, such as, Jang-Gu, and the crown, Kwae-Ja, and red skirt, therefore, each dance has its symbolism and put in its significance, and observe its decorum with reverent attitude. The features of dance of Byeol Sin Goot in the Southern Coast is following. First, there is no jumping in feet movement, that the movement of falling two feet fall down at the some time, and the right foot is becoming principal axis by seeing that the right foot is going ahead. When the feet falls on the ground, the movement like a magpie's step that is presently using in Korean dance expressed a crane walking gracefully, it expressed well admiration of nature and emotionally orientalism. The point where can't see the sole of the foot, it temperate just as the royal dance. Second, Dancing movement that using presently, is the motion of left and right, the motion of embrace in one's arms, upholding movement, and parallel line movement and impromptu dance, but when we dance CI-SUK dance, there appear pro dance of the random form, but we become aware that through its course of handing down, it might be altered a little. When performs the left and the right movement, such as, Lee-Soo-Go-Ju that could be seen at Choon-Aeng-Moo in the Loyal dance, the point of opposite direction of arms and body is natural posture that can be seen in the symmetry, and very exquisite, fetching and feminine attitude. This study is based mainly on the field-work, conducted in February, 2005 in Jook-Do.