한국근대회화에 표상된 향토경의 혼종성 연구

Abstract

Hyangtogung is represented as a premodern and pastoral space among with lyricism which ventilates people in Japanese colonial era. Although an advanced research about this, mainly discussed it as a space in which nationalism and colonialism collided in orientalism perspective, this paper is to progress the discussion focusing on the separation of colonial subjectivity by using the notion of Homi Bhabha’s ‘hybridity'. Bhabha discusses ambivalent and contradictory hybridity occurring inside the colonial unconscious of colony rulers and subordinates by combining identification and gaze of Jacques Lacan in perception system of orientalism discussion of Edward W Said. This ‘colonial unconscious’ is kind of a fantasy space stemmed from stereotype about empire’s colony, and colony ruler and subordinate become hybrid as both become subjectivity of fantasy and desire. Hyangtogung also expresses hybridity as fantasy and desire of colony Chosun and Japanese Empire are intersected. This paper as a theoretical background of this kind of Hyangtogung 1.looks into structure of stereotype as an ambivalent and contradictory colony power ideology which drives Hyangtogung through definition of hybridity. 2. after specifically prospecting about fantasy and desire inhabiting in colony subjectivity’s colonial unconscious which constitutes Hyangtogung in the separated subjectivity, it 3. analyzes specific hybridity of Hyangtogung. Based on the above theoretical background, after analyzing <Mo Youn>, <Country Girl>, <In the Valley of Kyung Ju>, Hyangtogung is the colonial subjectivity's hybrid fantasy.