창작 음악극의 무대의상 연구 - 국악칸타타 '나는 일어나리라'를 중심으로 -
A Study on the Stage Costumes of Creative Musical Play - Focusing on the Korean Traditional Music Cantata ‘I Will Rise’ -
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This study proposes a process to design and analyze stage costumes by design elements for the costumes of the Korean traditional music cantata ‘I Will Rise’. This study states fundamental references to make costumes of similar performances in the future and develop costume designs based on the format of a play. The findings are as follows. First,the costume production process of ‘I Will Rise’ is conducted in the order of directing intentions and script analysis, costume design, miniature production, costume production, costume modification, run, and post-production. Second, an overall Korean silhouette is expressed through the creation of costumes based on the construction of Korean traditional clothing (hanbok); however, from a detail perspective, a modernistic sensitivity is expressed through the use of modern elements (wing shoulders attached to shoulders, narrow ribbons made in a string form, and wristlets and belts) not found in hanboks. Third, tie-dying is applied to the costume colors of each character to highlight the traditional and unique feeling of dye and symbolic colors that effectively represent each role used to communicate the storyline and character emotions to the audience. Fourth, materials for costumes are cotton and linen (frequently used to create the texture of a Hanbok) as the costume of each character is emphasized to the use of additional and detailed materials such as artificial leather, hemp, and silk.
Abstract
This study proposes a process to design and analyze stage costumes by design elements for the costumes of the Korean traditional music cantata ‘I Will Rise’. This study states fundamental references to make costumes of similar performances in the future and develop costume designs based on the format of a play. The findings are as follows. First,the costume production process of ‘I Will Rise’ is conducted in the order of directing intentions and script analysis, costume design, miniature production, costume production, costume modification, run, and post-production. Second, an overall Korean silhouette is expressed through the creation of costumes based on the construction of Korean traditional clothing (hanbok); however, from a detail perspective, a modernistic sensitivity is expressed through the use of modern elements (wing shoulders attached to shoulders, narrow ribbons made in a string form, and wristlets and belts) not found in hanboks. Third, tie-dying is applied to the costume colors of each character to highlight the traditional and unique feeling of dye and symbolic colors that effectively represent each role used to communicate the storyline and character emotions to the audience. Fourth, materials for costumes are cotton and linen (frequently used to create the texture of a Hanbok) as the costume of each character is emphasized to the use of additional and detailed materials such as artificial leather, hemp, and silk.
참고문헌 (24)
- 범서희, "뮤지컬 '지킬 앤 하이드'에 나타난 무대의상 디자인 연구 - 선과 악의 캐릭터를 중심으로 -", 복식, 60(4), pp.45~57 (2010), 한국복식학회
- 변지현, "오페라 파우스트의 무대의상디자인-군중들을 중심으로", 복식, 57(3), pp.90~107 (2007), 한국복식학회
- Cho, E. H., "A study on stage costume of Shakespeare’s ‘The tempest’ -Focusing on the color symbolism-", 석사, pp.2001
- Choi, S. H., "Invitation to stage costume" (2004), Yeongeukgwa Ingan
- 최유진, "오페라 라보엠의 여주인공 무대 의상 연구", 한국의류산업학회지, 13(3), pp.299~308 (2011), 한국의류산업학회
- 최영로, "뮤지컬 크리스마스 캐롤의 무대의상 제작에 관한 연구", 복식, 57(3), pp.136~149 (2007), 한국복식학회
- Gang, J. H., "An analysis on the actual state of korean classical orchestra in jeonra province(Both south and north)", 석사, pp.2004
- Han, N. R., "Aesthetic characteristics in black shown in stage costume – Centering on musical ‘Chicago’-", 석사, pp.2010
- "석사", Dongseo University, 2002
- Ka, J. A., "A study of the fiber artistic expressions in stage costume", 석사, pp.2001
- Kim, H. G., "A study on the impact of creative music drama activities on musical creativity", 석사, pp.2010
- 김영미, "중등음악 교육에서의 음악극 활동에 대한 연구: 협동학습에 의한 창의적 음악 활동", 음악교육공학, 13(13), pp.115~133 (2011), 한국음악교육공학회
- Kim, Y. O., "The divine comedy of Mt. Baekdu" (1990), Tongnamu
- Kim, Y. S., "Production of performing arts manual series 13 : stage costume" (2006), Chung-Ang University Press
- "‘Kukak’, ’Cantata’"[URL]
- Lee, S. Y., "A study on the stage costume and the process of design", Chung-Ang Journal of Human Ecology, 20, pp.49~63 (2004)
- 이영숙, "발레 뤼스에 나타난 박스트의 무대의상 연구", 복식문화연구, 17(3), pp.407~423 (2009), 복식문화학회
- Nomura, J., "Secret of colors" (1994), Bogosa
- Oh, S. R., "A study of stage costume design appying korean traditional clothes –Based on ‘A midsummer night’s dream’-", 석사, pp.2010
- Tamio, S., "The world of color psychological analysis" (2001), Yekyong
- Walker, M., "The power of color" (1996), Kyobomongo
- Woo, B. K., "A study on the stage costume of korean traditional music cantata, 'I will rise'", Proceedings of the Korea Society of Clothing and Textiles, Spring Conference, pp.251~ (2008)
- Yi, H. S., "A study of educational on young children’s music drama activity", 박사, pp.2001
- Yun, S. R., "A study on the stage costume design for the play –Don Quixote-", 석사, pp.2000