헤밍웨이의 「사랑의 종말」: 탈식민주의적 관점으로 본 마조리에의 ‘종말’의 의미
Hemingway’s “The End of Something”: the Meaning of Majorie’s end in the Postcolonial view
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This paper is to examine the meaning of Majorie’s end of love in Hemingway’s “The End of Something,” which is a love affair of Nick and Marjorie by the postcolonial view. Carlos Baker said Nick bluntly concludes his serious love affair with her through a previous agreement with his friend Bill. Before the end of the love affair, Nick rows Marjorie past a landscape romantically associated with their love. Then rejecting her gentle and affectionate reminders, he tells her, “It isn’t fun any more.” Yet when she leaves after hearing the end of their love from him, he feels neither joy nor release, only that “everything was gone to hell inside of me.” Consequently, we can understand the Indian in this work is a rise in positional situation than the previous work such as “Indian Camp.” (Jeonju University)
Abstract
This paper is to examine the meaning of Majorie’s end of love in Hemingway’s “The End of Something,” which is a love affair of Nick and Marjorie by the postcolonial view. Carlos Baker said Nick bluntly concludes his serious love affair with her through a previous agreement with his friend Bill. Before the end of the love affair, Nick rows Marjorie past a landscape romantically associated with their love. Then rejecting her gentle and affectionate reminders, he tells her, “It isn’t fun any more.” Yet when she leaves after hearing the end of their love from him, he feels neither joy nor release, only that “everything was gone to hell inside of me.” Consequently, we can understand the Indian in this work is a rise in positional situation than the previous work such as “Indian Camp.” (Jeonju University)
참고문헌 (22)
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