조선시대 문인들의 압구정 경관 향유와 시적 형상화

Abstract

This paper examines the poetic imagery and theme consciousness of the writers of the Joseon Dynasty, targeting the Apgujeong (狎鷗亭) pavilion of the Han Myeong-hoe (韓明澮) of the Han River, which was one of the most prestigious places in the Joseon Dynasty. Apgujeong, where you can see the outstanding scenery of Dong-ho (東湖) at a glance, was famous enough to spread its reputation to China as the biggest scenic spot along the Han River during the Joseon Dynasty. Of course, in the background was the prestige of the character Han Myeong -hoe. However, after Han Myeong-hoe's death, Apgujeong's reputation did not disappear until the late Joseon Dynasty, and it was in the spotlight as a tourist destination for many writers, and the number of poems delivered was vast. Apgujeong has a characteristic that awards and themes appear more diverse than ordinary Nujeong because it has historically been the pavilion of Han Myeong-hoe. In the early days of Apgujeong's construction, there were many contents honoring the achievements of Apgujeong's seunggyeong and the owner Han Myeong-hoe. This was built in response to King Seongjong's request for king's poetry and Han Myeong-hoe's poetry, and can be seen as a general Nujeong's tendency. On the other hand, many works critically asked whether the name of the pavilion “Apgu” and the life of Han Myeong-hoe matched with the topic of Gi-sim (機心) and Mu-sim (無心). In addition, many works sang about the futility of life, recalling the time when they enjoyed rich films in Apgujeong, which had fallen to the later generations. Like those, It can be said that it is rare for such various awards to appear over one pavilion. In particular, it is even harder to find a case of conveying criticism and satire about the pavilion's owner. This is why Apgujeong can be called a historically and literary space, not just a scenic spot.