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연극 ‘하얀중립국(원제:안도라)’의 무대의상 전개과정

Design Process for Stage Costume of the Theatre‘White Neutral Nation(Original: Andorra)’

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초록

The stage costume in theater, along with the stage art, is the element that has the biggest visual effect in helping the audience to understand the theater. Nevertheless, in the domestic theater production system, compared with the other public performance products, the stage costume has been rented or purchased due to the lack understanding of the importance of the stage costume and budget problem, and thus the role of the stage costume has been undervalued. Such a phenomenon is more noticeable in the small scale theater. However, in this play White Neutral Nation (Original: Andorra), the production team and the directing team recognized the importance of the costume in the early stage of production , and accordingly lots of efforts, such as staff meetings and budget allocation, were made for the stage costume. As a result, the entire production process of the stage costume could be examined. Recently, performance culture in Korea has made rapid progress and diverse forms of public performances are created and planned. Accordingly, the level of audience has been rising and the interest in the stage costume is also rising. So, it can be said that not only the stage costume but also the production system that makes it are important. This research examined the production process of the stage costume only of the play White Neutral Nation but it is considered necessary to make researches on the production process of the stage costume used for the theater of different themes and public performances of different kinds and to systematize their production process of the stage costume.

Abstract

The stage costume in theater, along with the stage art, is the element that has the biggest visual effect in helping the audience to understand the theater. Nevertheless, in the domestic theater production system, compared with the other public performance products, the stage costume has been rented or purchased due to the lack understanding of the importance of the stage costume and budget problem, and thus the role of the stage costume has been undervalued. Such a phenomenon is more noticeable in the small scale theater. However, in this play White Neutral Nation (Original: Andorra), the production team and the directing team recognized the importance of the costume in the early stage of production , and accordingly lots of efforts, such as staff meetings and budget allocation, were made for the stage costume. As a result, the entire production process of the stage costume could be examined. Recently, performance culture in Korea has made rapid progress and diverse forms of public performances are created and planned. Accordingly, the level of audience has been rising and the interest in the stage costume is also rising. So, it can be said that not only the stage costume but also the production system that makes it are important. This research examined the production process of the stage costume only of the play White Neutral Nation but it is considered necessary to make researches on the production process of the stage costume used for the theater of different themes and public performances of different kinds and to systematize their production process of the stage costume.

참고문헌 (16)

  1. 김영삼, "공연제작 메뉴얼 시리즈⑬-무대의상" (2006), 중앙대출판부
  2. 김현숙, "무대의상디자인의 세계" (1995), 고려원
  3. 김해용, "무대의상을 위한 디자인 과정 연구 : 뮤지컬 「The Fantasticks」공연을 중심으로", 석사, 의상디자인, pp.2002
  4. 루돌프 아른하임, "미술과 시지각" (1995), 진사
  5. 막스 프리쉬, "외더란트 백작" (1984), 민음사
  6. 밀리, "연극이해의 길" (2002), 평민사
  7. 서지성, "뮤지컬 '불의 검' 공연의상제작에 관한 연구", 박사, 의류과학, pp.2006
  8. 이지선, "체계적인 무대의상 디자인 과정의 연구 : 뮤지컬 「드라큘라」를 중심으로", 석사, 무대의상, pp.2009
  9. 유준상, "서양의 미술27-위트릴로" (1994), 서문당
  10. 최영로, "뮤지컬 '크리스마스 캐롤'의 무대의상 제작에 관한 연구", 박사, 패션디자인학, pp.2005
  11. Barbara, "Costume Design" (1999), Harcourt Brace College Publishers
  12. Douglas A. Rusell, "Stage Costume Design" (1973), Prentice Hall, Inc
  13. Edwin Wilson, "The Theatre Experience" (1985), McGrow-Hill
  14. Oscar G. Brockett, "History of the Theatre" (1995), Allyn&Bacon
  15. Rebecca Cunningham, "The Magic Garment" (1989), Waveland Press, Inc
  16. Rosemary Ingham, "The Costume Designer's Handbooks" (1992), Heinemann Educational Books, Inc

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