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엘리엇의 블레이크 읽기의 읽기

Eliot’s Reading of Blake.

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This paper focuses Eliot’s thoughts on Blake. Eliot emphasizes on Blake’s peculiarity, praising a pure honesty in Lyric Poems. Nevertheless, Eliot asserts that Blake’s only fault is that he is inexperienced very much and his style is only limited to himself, Blake is writing his work only with his own thought and consciousness without many other rhetoric techniques. Eliot states that Blake depends too much on his own subjectivity, presenting his topics and themes with only one man’s soul in mind. Thus, Eliot suggests that a poet should have many topics to exemplify the sickness of an epoch and a fashion. Focusing on this techniques, Eliot wrote his masterpiece, The Waste Land, which accurately reveals a modern man of the 20th century. However, Eliot does not speak negatively of Blake; he compliments Blake on his “immense understanding of human nature,” “the music of a language,” “original creative gift” etc. But he insists that these aspects should be controlled by “objective reason,” “common sense” and “scientific objectivity.”

Abstract

This paper focuses Eliot’s thoughts on Blake. Eliot emphasizes on Blake’s peculiarity, praising a pure honesty in Lyric Poems. Nevertheless, Eliot asserts that Blake’s only fault is that he is inexperienced very much and his style is only limited to himself, Blake is writing his work only with his own thought and consciousness without many other rhetoric techniques. Eliot states that Blake depends too much on his own subjectivity, presenting his topics and themes with only one man’s soul in mind. Thus, Eliot suggests that a poet should have many topics to exemplify the sickness of an epoch and a fashion. Focusing on this techniques, Eliot wrote his masterpiece, The Waste Land, which accurately reveals a modern man of the 20th century. However, Eliot does not speak negatively of Blake; he compliments Blake on his “immense understanding of human nature,” “the music of a language,” “original creative gift” etc. But he insists that these aspects should be controlled by “objective reason,” “common sense” and “scientific objectivity.”

참고문헌 (25)

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  2. 여인천, "엘리엇과 반 낭만주의", 칼빈논단, pp.495~512 (2005), 칼빈대학교
  3. Altizer, T. J., "The Revolutionary Vision of William Blake", The Journal of Religious Ethics, 37(1), pp.33~38 (2009)
  4. Bloom, Harold, "The Visionary Company : A Reading of English Romantic Poetry" (1961), Cornell UP
  5. Bornstein, George, "Transformations of Romanticism in Yeats, Eliot, and Stevens" (1976), Chicago UP
  6. Crosby, M., "Laura Quinney: William Blake on Self and Soul", The Review of English Studies, 62(257), pp.823~825 (2011)
  7. Eliot. T. S., "Selected Essays: 1917-1932" (1932), Harcourt, Brace and Company
  8. Eliot. T. S., "The Sacred Wood : Essays on Poetry and Criticism" (1972), Methuen & Co Ltd
  9. Franklin, George, "Instances of Meeting: Shelley and Eliot-A Study in affinity", ELH, 61(4), pp.955~989 (1994)
  10. Goldweber, Dave, "The Style and Structure of William Blake’s ‘Bible of Hell’", English Language Notes, 32(4), pp.51~66 (1995)
  11. Greer, H., "Art Frozen Fire: The Visionary World of William Blake", The World & I, 16(4), pp.90~97 (2001)
  12. Hall, Vernon, "A Short History of Literary Criticism" (1963), New York UP
  13. Ibata, H., "William Blake’s Visual Sublime", European Romantic View, 21(1), pp.29~48 (2010)
  14. Jager, C., "Matthew J. A. Green, Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism", European Romantic Review, 19(3), pp.289~291 (2008)
  15. Lobb, Edward, "T. S. Eliot and The Romantic Critical Tradition" (1981), Routledge & Kegan Paul
  16. Lowe. P., "The Question of Self-Consciousness in the Poetry of Shelley and T. S. Eliot", Yeats Eliot Review, 19(3), pp.11~26 (2002)
  17. Matterson, Stephen, "Harmony of Dissonances: T. S. Eliot, Romanticism, and Imagination. (Book Review)", Modern Language Review, 88(2), pp.430~ (1993)
  18. Matthiessen, F. O., "The Achievement of T. S. Eliot: An Essay on the Nature of Poetry" (1976), Oxford UP
  19. Mcquail, J. A., "Passion and Mysticism in William Blake", Modern Language Studies, 30(1), pp.121~136 (2000)
  20. Mulhallen, K., "The William Blake Project", University of Toronto Quarterly, 80(4), pp.779~785 (2011)
  21. Pyle, Forest, "The Ideology of Imagination: Subject and Society in the Discourse of Romanticism" (1995), Stanford UP
  22. Ratcliff, C., "The People’s Bard as Artist, Poet and Printer, William Blake was driven by a prophetic, revolutionary ferver", Art in America, 89(9), pp.116~123 (2011)
  23. Scott, G., "William Blake in a Newtonian World: Essays on Literature as Art and Science by Stuart Peterfreund", Criticism, 41(1), pp.141~144 (1999)
  24. Tambling, J., "John B. Pierce, The Wonderous Art: William Blake and Writing", The Modern Language Review, 100(2), pp.488~ (2005)
  25. Thompson, E., "Anti-Hegemony: The Legacy of William Blake", New Left Review, 201, pp.26~33 (1993)

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