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The Compositional History of D. H. Lawrence’s ‘The Fox’

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D. H. Lawrence’s ‘The Fox’ endured a complicated revisional process, which started in 1918 and completed in 1923. As the result, there are many variants such as a manuscript in the author’s autograph (MS), a carbon copy proof (TCC), two published versions in journals (Per 1 & Per 2), a carbon copy proof with the author’s corrections (TCCR), and many different versions in book form (E 1 & A 1 etc.). These variants are registered with many changes made at each stage. A comparison of the various versions allows us to trace the trajectory of the author’s shifting focus. Distinctively the newly added ‘long tail’ in the final version incited the criticism of Lawrence’s male chauvinism with the brutal ending. Clearly the main theme of the story revolves around the key ideas of ‘man-woman relationship’ and ‘submission to life force’ Yet to substantiate such criticism is not without some difficulties. While the quest for ‘man-woman relationship’ and ‘submission to life force’ continued, a comparative approach to the variant texts reveals the author’s shifting focus from the submission to the battle of wills.

Abstract

D. H. Lawrence’s ‘The Fox’ endured a complicated revisional process, which started in 1918 and completed in 1923. As the result, there are many variants such as a manuscript in the author’s autograph (MS), a carbon copy proof (TCC), two published versions in journals (Per 1 & Per 2), a carbon copy proof with the author’s corrections (TCCR), and many different versions in book form (E 1 & A 1 etc.). These variants are registered with many changes made at each stage. A comparison of the various versions allows us to trace the trajectory of the author’s shifting focus. Distinctively the newly added ‘long tail’ in the final version incited the criticism of Lawrence’s male chauvinism with the brutal ending. Clearly the main theme of the story revolves around the key ideas of ‘man-woman relationship’ and ‘submission to life force’ Yet to substantiate such criticism is not without some difficulties. While the quest for ‘man-woman relationship’ and ‘submission to life force’ continued, a comparative approach to the variant texts reveals the author’s shifting focus from the submission to the battle of wills.

참고문헌 (15)

  1. 박시영, "로렌스(D. H. Lawrence)의 「여우」(“The Fox”)와 데리다(Jacques Derrida)의 늑대", D.H. 로렌스 연구, 29(1), pp.1~23 (2021), 한국로렌스학회
  2. Draper, Ronald P, "Critical Essays on D. H. Lawrence" (1988), G. K. Hall
  3. Kinkead-Weekes, Mark, "D. H. Lawrence: Triumph to Exile 1921-1922" (1996), CUP
  4. Lawrence, D. H, "The Fox, The Captain’s Doll, The Ladybird", pp.7~71 (1992), Cambridge UP
  5. Lawrence, D. H, "The Letters of D. H. Lawrence Vol. IV" (1987), Cambridge UP
  6. Lawrence, D. H., "The Letters of D. H. Lawrence Vol. III" (1984), Cambridge UP
  7. Lawrence, D. H., "A D. H. Lawrence Miscellany" (1959), Southern Illinois UP
  8. Lawrence, D. H, "The Tales of D. H. Lawrence" (1934), Martin Secker
  9. Lawrence, D. H., "The Fox", Dial, 471~492 (1922)
  10. Lawrence, D. H, "The Fox", Hutchinson’s Story Magazine, 68~70 (1920)
  11. Moynahan, Julian, "The Deed of Life: The Novels and Tales of D. H. Lawrence" (1963), Princeton UP
  12. Roberts, Warrants, "A Bibliography of D. H. Lawrence" (2001), CUP
  13. Ruderman, Judice, "Studies in Bibliography Vol. 33" (1980), UP of Virginia
  14. Spilka, Mark, "Lawrence and Women" (1978), Vision
  15. Tedlock, E. W., "The Frieda Lawrence Collection of D. H. Lawrence Manuscripts: A Descriptive Bibliography" (1948), U of New Mexico P

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