북한의 혁명연극『성황당』론

Abstract

The northern Korean culture & art has been developed as a Juche literature as the juche ideology has been established in 1967. Accordingly, the theory of culture & art literature writing has been newly established, which is called as ‘culture & art revolution’that led to cinema revolution, opera revolution and drama revolution. In this process, the drama of Blood Ocean and Village Shrine that were created by Kim Il Sung in the anti-japanese revolution have been produced respectively in the revolutionary opera and drama. The revolutionary drama of Village Shrine was modernized from the play of Village Shrine that was created by Kim Il Sung in the antijapanese revolution, and recreated adequately by Juche ideology from the enlightened title of breaking superstition with production images such as bangchang and flow cubic stage art shown in the opera revolution. Also, it is the work adapted and performed first in the drama revolution, which built the border of ‘Village Shrine type revoluntionary drama’that leads the flow of northern Korean drama that will be appeared later. This paper intends to observe Village Shrine that is being the model of northern Korean drama including the whole consideration of the northern Korean drama, and to study the conflictual expression appeared in Village Shrine later. With this process, it intends to be the pillar to study the intrinsic chahe weristics of work further from the extrinsic characteristics of northern Korean drama.