신체-심리의 수반적 관점에서의 무용 매체론
A Study on The Psychophysical Supervenience of Dance Movement
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Abstract
The purpose of this research is ontological argument of dance. Based on supervenience as a philosophical concept, the relation of physical phenomenon and psychological attribution is explained. Psychophysical Supervenience has three distinictive meaning. First, psychological attribution(mind) accompanied with physical phenomenon(body) revealed based upon dependence relationd. Second, change of physocal phenomenon puts another complexion on the psychological attribution. Third, physical phenomena and psychological characteristics have a non reductive relation. On this persepective, diversity of dance movement pattern and three stages of dance, kinesthetic movement, representational movement and expressional movement, will be explained. Supervenience as body-mind theory which illustrates dance beyond physical phenomenon, presents the possibility of conducting structure of dance.
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