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픽사 애니메이션의 시나리오 구조와 특징

Pixar Story’s Structure and Feature in Three Act

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초록

Pixar follows the Hollywood’s 3 act structure. When we analyze Pixar animation with 3 Act structure’s perspective, we can see that I follows the basic rule of Act1, Act2,and Act3 well. In the inciting incident, something bad happens to the hero but the hero false reacts to the incident which aggravates the problem. This happening leaves the hero no choice but to start the adventure. The First Act Break is the part when the adventure begins. In the end of Act2, which is the Second Act Break, the hero achieves he goal that he made in the First Act Break. However, that happiness doesn’t last long because of a reverse situation and the hero struggles more. The crisis becomes worse that the hero has no choice but to make a definite determination. In the Climax of Act3, the definite action of the hero helps to overcome the problem and finally attains victory. We will look at how Pixar Animation followed the basic 3 Act structure.

Abstract

Pixar follows the Hollywood’s 3 act structure. When we analyze Pixar animation with 3 Act structure’s perspective, we can see that I follows the basic rule of Act1, Act2,and Act3 well. In the inciting incident, something bad happens to the hero but the hero false reacts to the incident which aggravates the problem. This happening leaves the hero no choice but to start the adventure. The First Act Break is the part when the adventure begins. In the end of Act2, which is the Second Act Break, the hero achieves he goal that he made in the First Act Break. However, that happiness doesn’t last long because of a reverse situation and the hero struggles more. The crisis becomes worse that the hero has no choice but to make a definite determination. In the Climax of Act3, the definite action of the hero helps to overcome the problem and finally attains victory. We will look at how Pixar Animation followed the basic 3 Act structure.

참고문헌 (11)

  1. 권승태, "3막의 비밀" (2012), 커뮤니케이션북스
  2. 김창남, "대중문화의 이해" (2010), 한울아카데미
  3. 데이비드 A. 프라이스, "픽사이야기" (2010), 흐름출판
  4. 데이비드 하워드, "시나리오 마스터" (2007), 한겨레 출판사
  5. 로널드 B. 토비아스, "인간의 마음을 사로잡는 스무 가지 플롯" (2007), 풀빛
  6. 로버트 맥키, "시나리오 어떻게 쓸 것인가" (2002), 민음인
  7. 린다 카우길, "시나리오 구조의 비밀" (2003), 시공사
  8. 빌 캐포더글리, "픽사웨이" (2010), 샘앤파커스
  9. 김한식, "La Poetique" (2010), 펭귄클래식코리아(웅진)
  10. 황선길, "애니메이션 영화사" (1998), 범우사

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