Walking through Texts: The Father-Daughter Plot in Kurahashi Yumiko’s Fiction
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This paper examines the father-daughter relationship in Kurahashi Yumiko’s fiction, focusing on “The Long Passage of Dreams” and “To Die at the Estuary.” Though these two novellas are not direct rewritings of Greek tragedies and Noh plays, nevertheless, through an analysis of references and allusions to previous texts, they can be read as rewritings of the “master plot of the fatherdaughter story.” Therefore, the aim of this paper is to analyze the meaning of rewriting this master plot, and the role of the reader in cooperating with texts replete with intertextual frames. I focus particularly on the links between Kurahashi’s texts, Oedipus at Colonus, and the Noh plays (Kagekiyo, Kurozuka, Nomori and Tamakazura), and examine the textual strategies Kurahashi uses in order to challenge the master plot of the father-daughter story present in both Greek tragedies and Japanese classics.
Abstract
This paper examines the father-daughter relationship in Kurahashi Yumiko’s fiction, focusing on “The Long Passage of Dreams” and “To Die at the Estuary.” Though these two novellas are not direct rewritings of Greek tragedies and Noh plays, nevertheless, through an analysis of references and allusions to previous texts, they can be read as rewritings of the “master plot of the fatherdaughter story.” Therefore, the aim of this paper is to analyze the meaning of rewriting this master plot, and the role of the reader in cooperating with texts replete with intertextual frames. I focus particularly on the links between Kurahashi’s texts, Oedipus at Colonus, and the Noh plays (Kagekiyo, Kurozuka, Nomori and Tamakazura), and examine the textual strategies Kurahashi uses in order to challenge the master plot of the father-daughter story present in both Greek tragedies and Japanese classics.
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