크로아티아 비스섬 목선 화장의식의 해석
The Ritual of Boat Incineration on the Island of Vis, Croatia: an Interpretation
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참고문헌
초록
크로아티아 비스(Vis) 섬에 위치한 코미자(Komiža)라는 어촌 마을에는천주교 축일과 관련, 수세기 동안 이어져온 전통목재어선의 화장의식이있다. 배는 크로아티아 문화유산의 일부로 여겨지지 않으며 시장가치가없다는 판단에서 전통목선은 더 이상 만들어지지 않고 있다. 이러한상황에서 화장의식은 심각한 절멸위기에 놓여있다. 지역문화 정체성확립을 위한 에코박물관(eco-museum) 내 화장의식의 재맥락화 등의프로젝트를 통해 전통목선이 지역사회 경제에 적극 기여할 수 있다고본 글에서 주장하는 바이다. 절멸위기에 처한 의식과 전통목선의문화적 중요성을 통해 이를 논하고자 한다. 의식의 사회학적 중요성과기저에 깔린 기호학적 암시, 코미자 마을 목선이 의인화되는 모습을살핌으로써, 본 글은 또한 전 세계에서 발견되는 화장의식과 유사한관습의 기원에 대해 탐구해 본다. 본 글은 유·무형유산으로서, 즉 전통조선해양기술의 산물로서의 목선에 대한 인식을 증진코자 한다.
Abstract
In the fishing village of Komiža, on the island of Vis, Croatia, there is a centuries-long ritual of incinerating traditional wooden fishing boats which is linked to the celebration of a Catholic holiday. Boats are not recognised as a part of the cultural heritage of Croatia and traditional boats are not being produced any longer because they are not seen to have any market value. Therefore, the continuation of the burning ritual is seriously threatened. It is argued here that through a re-contextualisation of the ceremony within an eco-museum and through similar projects, the boats could actively contribute to the economic life of the community. This issue is addressed from the standpoints of the endangered ritual and the cultural significance of the boat. While predominantly investigating its sociological importance and the underlying semiotic implications of the ritual, and discussing the anthropomorphic conceptualisation of the boat within the Komižan community, this article also explores the origins of the burning ritual and similar practices around the world. The article aims to increase the recognition of the boat as an object of tangible and intangible heritage, namely as a product of the traditional maritime art of ship-building.
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