인종과 동물 2: 전용의 정치학과 탈전용의 윤리학
Race and Animal 2: The Politics of Appropriation and the Ethics of Post-Appropriation
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The topic of race and animal is among few issues that go unexplored, because the two are too sensitive to bring together on the same discursive space, even though one is so easily linked with the other on the daily basis in America. Recently, animal studies reach a consensus on the need for a zoē-based bioegalitarian turn. As the Ferguson unrest and Childish Gambino music video indicate, race returns in the so-called post-racial era. Under the critical rubric of race and animal, my discussion starts from a question of why the baboons do not appear as named characters in the movie Planet of the Apes, both its original series and its reboot trilogy. And I explain why this question matters by comparing how humans have appropriated animals with how white people have appropriated black people and their images in the antebellum America and now. To break the vicious circle of the morphological normativity which affects our sense of race and animals, I offer a way of post-appropriation. By post-appropriation, I mean any efforts to liberate ourselves from the view that refers to otherness within ourselves as otherness itself. For this purpose, I argue that the post-appropriation should go hand in hand with anti-anthropocentrism and post-Eurocentrism.
Abstract
The topic of race and animal is among few issues that go unexplored, because the two are too sensitive to bring together on the same discursive space, even though one is so easily linked with the other on the daily basis in America. Recently, animal studies reach a consensus on the need for a zoē-based bioegalitarian turn. As the Ferguson unrest and Childish Gambino music video indicate, race returns in the so-called post-racial era. Under the critical rubric of race and animal, my discussion starts from a question of why the baboons do not appear as named characters in the movie Planet of the Apes, both its original series and its reboot trilogy. And I explain why this question matters by comparing how humans have appropriated animals with how white people have appropriated black people and their images in the antebellum America and now. To break the vicious circle of the morphological normativity which affects our sense of race and animals, I offer a way of post-appropriation. By post-appropriation, I mean any efforts to liberate ourselves from the view that refers to otherness within ourselves as otherness itself. For this purpose, I argue that the post-appropriation should go hand in hand with anti-anthropocentrism and post-Eurocentrism.
참고문헌 (31)
- 그랑빌, J. J., "그랑빌 우화: 동물들의 공생활과 사생활" (2005), 실천문학사
- Agamben, Giorgio, "Homo Sacer: Sovereign Power and Bare Life" (1995), Stanford UP
- Agamben, Giorgio, "The Open: Man and Animal" (2002), Stanford UP
- Allen, James, "Without Sanctuary: Lynching Photography in America" (2007), Twin Palms Publishers
- Appiah, Kwame Anthony, "Africana: The Encyclopedia of the African and African American Experience" (1999), Basic Civitas
- Berger, John, "About Looking" (1991), Vintage
- Braidotti, Rosi, "Animals, Anomalies, and Inorganic Others", PMLA, 124(2), pp.526~532 (2009)
- Bruce, Dickson D. Jr, "Black American Writing from the Nadir: The Evolution of a Literary Tradition 1877-1915" (1989), Louisiana State UP
- Coetzee, J. M, "The Lives of Animals" (1999), Princeton UP
- Darwin, Charles, "The Descent of Man, and Selection in Relation to Sex" (2004), Penguin
- Deleuze, Gilles, "A Thousand Plateau: Capitalism and Schizophrenia" (1987), U of Minnesota P
- Derrida, Jacques, "The Animal That Therefore I Am" (2008), Fordham UP
- DuCille, Ann, "Skin Trade" (1996), Harvard UP
- Eberhardt, Jennifer L., "Doing Race: 21 Essays for the 21st Century", pp.439~457 (2010), Norton
- Ellison, Ralph, "Shadow and Act" (1995), Vintage
- Fanon, Frantz, "Black Skin, White Masks" (1967), Grove Press
- Gates, Henry Louis, Jr., "The Signifying Monkey: A Theory of African-American Literary Criticism" (1988), Oxford UP
- Gilroy, Paul, "The Black Atlantic : Modernity and Double Consciousness" (1993), Harvard UP
- Goings. Kenneth W., "Mammy and Uncle Mose : Black Collectibles and American Stereotyping" (1994), Indiana UP
- Goldsby, Jacqueline, "A Spectacular Secret : Lynching in American Life and Literature" (2006), U of Chicago P
- Hall, Stuart, "Representation: Cultural Representations and Signifying Practices", pp.223~279 (1997), Sage
- Haraway, Donna, "Animal Sociology and a Natural Economy of the Body Politic, Part II: The Past Is the Contested Zone: Human Nature and Theories of Production and Reproduction in Primate Behavior Studies", Signs, 4(1), pp.37~60 (1978)
- Haraway, Donna, "Primate Visions : Gender, Race, and Nature in the World of Modern Science" (1989), Routledge
- Haraway, Donna, "Cultural Studies", pp.295~337 (1992), Routledge
- hooks, bell., "Black Looks: Race and Representation" (1992), South End Press
- Lévi-Strauss, Claude, "Totemism" (1991), Marlin
- McHugh, Susan Bridget, "Horses in Blackface: Visualizing Race as Species Difference in Planet of the Apes", South Atlantic Review, 65(2), pp.40~72 (2000)
- Sax, Boria, "The Animals Reader: The Essential Classic and Contemporary Writings", pp.270~277 (2007), Berg
- Wolfe, Cary, "Human, All Too Human: ‘Animal Studies’ and the Humanities", PMLA, 124(2), pp.564~575 (2009)
- Wolfe, Cary, "Zoontologies: The Question of the Animal", pp.1~57 (2003), U of Minnesota P
- Wolfe, Cary, "What Is Posthumanism?" (2010), U of Minnesota P
