沈彦光의 屈原 楚辭에 대한 이해- 「次離騷經」을 중심으로

Abstract

Eochon Shim Eon-gwang(漁村 沈彦光) is a civilian official and poet of the mid-Joseon Dynasty, and 『Eochon-collection(漁村集)』 containing his works remains. The first half of Shim Eon-gwang's life was relatively flat, but in the second half, he returned to Gangneung for bringing Kim An-ro(金安老), who monopolized power during the reign of King Jung-jong, and spent his last years there, and finished his diary in 1540. Shim Eon-gwang received negative reviews for his political activities in relation to Kim An-ro. Nevertheless, Shim Eon-gwang was recognized for his poetry because of his excellent literary ability. Until now, research on Shim Eon-gwang has been conducted to some extent, but excellent Sabu(辭賦, a style of ancient Chinese poetry) in 『Eochon-collection』 have been left, and research on this has not been actively conducted. In the mid-Joseon Dynasty, when Shim Eon-gwang was active, it was a chaotic period due to large political events such as the massacre of scholars in year of muo(戊午士禍) and Gapja(甲子士禍) during King Yeonsan, and literati purge in the year of Gimyo(己卯士禍) during the reign of King Jung-jong. Shim Eon-gwang's reappointment of Kim An-ro, who had caused purge several times, became the source of trouble and was impeached and returned home. This political career, like Qu Yuan(屈原)'s situation, was demoted from important positions by vile characters, so Qu Yuan's Cho-sa(楚辭) became an important soothing work for Shim Eon-gwang. In addition, despite the time difference of 1800 years between Shim Eon-gwang and Qu Yuan, the political situation was not stable, and they were not only in a turbulent era, but also exiled due to the hatred of kings and vile characters in high positions. In addition, there are several masterpieces in Shim Eon-gwang's anthology, so it seems necessary to compare them. Therefore, in this paper, we would like to first examine the differences in the compilation of the editions of 『Eochon-collection』, and the changes in the masters contained in each edition. Furthermore, we will consider how the 「Chaisogyeong(次離騷經)」 built by Shim Eon-gwang differs from the 「Eso(離騷)」 of Qu Yuan. In Chapter 3, we will first estimate the time when Shim Eon-gwang's 「Chaisogyeong」 was created based on the master's content and annual report. In addition, there are two riches modeled after the 「Eso」 of Qu Yuan during the period before Shim Eon-gwang, one is Kim Si-Seup(金時習)'s 「Ieso(擬離騷)」 and the other is Shin Kwang-han(申光漢)'s 「Hwaesogyeong(和離騷經)」, a contemporary figure with Shim Eon-gwang. Compared with the two works, I would like to examine the characteristics of 「Chaisogyeong」 written by Shim Eon-gwang. In Chapter 4, we will look at what position Shim Eon-gwang's 「Chaisogyeong」 occupies in the history of Korean literature.